Product Description

A highly personal story of the eminent British writer returning to her African roots that is "brilliant . . . [and] captures the contradictions of a young country."--New York Times Book Review

Product Details

• Amazon Sales Rank: #550238 in Books
• Published on: 1993-08-04
• Released on: 1993-08-04
• Original language: English
• Number of items: 1
• Binding: Paperback
• 464 pages

From Publishers Weekly
Powerfully written and passionately felt, this memoir details four trips that novelist Lessing made to her homeland of Zimbabwe in the years since its founding in the place of the former Rhodesia.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
Because Lessing grew up in Zimbabwe, she has drawn upon her African experiences in many of her writings, including Going Home (1957. o.p.), the story of her return to a land still ruled by a white minority. This time, she returns to an independent Zimbabwe in 1982 to be greeted by The Monologue: white complaints about black ineptitude. Subsequent trips in 1988 and 1989 focus on black frustration with the slowness of change ("Why can't Mugabe chief of state do anything about . . . ?") as well as with corruption. A 1992 update ends the book on a somber note: economic decline, drought, and AIDS. This is quite a fascinating look at life in Zimbabwe from someone who has an intimate knowledge of the country. Af rican Laughter is highly recommended. Previewed in Prepub Alert, LJ 6/15/92.
- Paul H. Thomas, Hoover Inst. Lib., Stanford, Cal.
Copyright 1992 Reed Business Information, Inc.

About the Author
Doris Lessing was born Doris May Taylor in Persia (now Iran) on October 22, 1919. Both of her parents were British: Her father, who had been crippled in World War I, was a clerk in the Imperial Bank of Persia; her mother had been a nurse. In 1925, lured by the promise of getting rich through maize farming, the family moved to the British colony in Southern Rhodesia (now Zimbabwe). Her mother installed Doris in a covenant school, and then later in an all-girls high school in the capital of Salisbury, from which she soon dropped out. She was 13, and it was the end of her formal education.

Lessing's life has been a challenge to her belief that people cannot resist the currents of their time, as she fought against the cultural and biological imperatives that fated her to sink without a murmur into marriage and motherhood. Lessing believes that she was freer than most people because she became a writer. For her, writing is a process of "setting a distance," taking the "raw, the individual, the uncriticized, the unexamined, into the realm of the general."

Lessing's fiction is deeply autobiographical, much of it emerging out of her experiences in Africa. Drawing upon her childhood memories and her serious engagement with politics and social concerns, Lessing has written about the clash of cultures, the gross injustices of racial inequality, the struggle among opposing elements within an individual's own personality, and the conflict between the individual conscience and the collective good.

Over the years, Lessing has attempted to accommodate what she admires in the novels of the 19th century -- their "climate of ethical judgment" -- to the demands of 20th-century ideas about consciousness and time. After writing the Children of Violence series (1952-1959), a formally conventional bildungsroman (novel of education) about the growth in consciousness of her heroine, Martha Quest, Lessing broke new ground with The Golden Notebook (1962), a daring narrative experiment in which the multiple selves of a contemporary woman are rendered in astonishing depth and detail. Anna Wolf, like Lessing herself, strives for ruthless honesty as she aims to free herself from the chaos, emotional numbness and hypocrisy afflicting her generation.

In the 1970s and 1980s, Lessing began to explore more fully the quasi-mystical insight Anna Wolf seems to reach by the end of The Golden Notebook. Her "inner-space fiction" deals with cosmic fantasies Briefing for a Descent into Hell, 1971), dreamscapes and other dimensions (Memoirs of a Survivor, 1974), and science-fiction probings of higher planes of existence (Canopus in Argos: Archives, 1979-1983). These reflect Lessing's interest, since the 1960s, in Idries Shah, whose writings on Sufi mysticism stress the evolution of consciousness and the belief that individual liberation can come about only if people understand the link between their own fates and the fate of society.

Lessing's other novels include The Good Terrorist (1985) and The Fifth Child (1988); she also published two novels under the pseudonym Jane Somers (The Diary of a Good Neighbor, 1983, and If the Old Could., 1984). In addition, she has written several nonfiction works, including books about cats, a love since childhood. Under My Skin: Volume One of My Autobiography, to 1949 was recently joined by Walking in the Shade: 1949 to 1962, both published by HarperCollins.

Customer Reviews

notitle
Woof! What a read! 442 pages in 6 days. Ask me anything about Zimbabwe. The home of Lessing's childhood from 5 til 30, when she moved to England. Easy reading, at times not too organized, nor, I think, rewritten too much. Could have been better. But what she is so good at is the small detail - about the dogs, or food, or dress. The small things that make up life. I think she tries hard not to be judgmental, to give both sides of the picture after 1980, when Zimbabwe became an independent nation. But it would seem like many countries in Africa today, riddled with corruption and stupidity and lack of foresight. Or the world in general, for that matter. Nowadays, why single out Africa? Sounds like it once was (is?) a beautiful country with a mild climate because it is so high. Very interesting book.

Beautiful book about Zimbabwe
I have never been in Africa and have never read any of the books about the continent except for Nadine Gordiner's fiction. While I loved the begginning of the book, the later parts become a bit sloppy and at time impatient in terms of writing style. The observations, however, about the country of Zimbabwe over the decades, and in the time after declaration of independence are amazing. One is able to follow up on lives of writer's old friends, new people she meets on her trips, amazing animals, plants and food. I have learned a lot about country , it's people and customs, racism, reverse racism, sexism, deseases and corruption a new country is struggling with. Highly recommended read for anyone interested in learning more about this amazing country and African continent.

An Unsure Joy
This was the only non-travel guide about Africa in my local library branch when I got back from 8 months in East Africa, so I picked it up. Certainly a very interesting picture of the slow death of British colonialism, despite Zimbabwean independence in 1980. And the successive trips provide a living view of changing attitudes and opinions, both of European expatriates and Nationals. Her inner dialogue of changes, good and bad (both very grey categories), is very informative as well.

That said, there is only a loose thread of continuing story that flows through the entire text. Granted, she's documenting her travels, but it seems a bit more perspective (or a more involved editor) could have helped give the book a bit more flow. I'd recommend it quickly to those interested in an authentic look at Africa, but probably not for those looking for a casual read during lunch breaks.