Product Description

Product Details

• Amazon Sales Rank: #368142 in Books
• Published on: 2007-10-02
• Released on: 2007-10-02
• Original language: English
• Number of items: 1
• Binding: Paperback
• 448 pages

From Publishers Weekly
Starred Review. Elliot (An Unexpected Light) traveled to Iran and returned with this finely detailed, timely portrait of a country and culture precariously balanced between East and West, dark and light, integration and Armageddon. Whether careening around the smog and traffic clogged capital city of Tehran in a battered cab or crawling through the rubble-strewn ruins of Persepolis, capital of the ancient Persian kings, Elliot's keen eye, supple mind and compelling way with words captures the rich, complex, contradictory essence of Iran, its history and people. Everywhere he travels, Elliot explores a central question—will Iran, a country with a deep and abiding history of scientific innovation, fine art, high culture and beauty, step into modernity or will the revolutionary mullahs, the guardians and promoters of Islamic fundamentalism, take the country further down the road of isolation. In the cities, a culture of duality exists—behind closed doors, liquor flows freely, music is enjoyed and women are free to express themselves fully. On the streets, however, religious extremism rules, manifested by squads of bearded enforcers looking out for infractions of their version of Islamic law. With Iran so central in the news, this is a good read for the armchair traveler and amateur geo-political strategist alike. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
In this penetrating account of a series of journeys to Iran, Elliot reports on the "double life" of the Persians he meets, who unanimously denounce the ruling mullahs. One insists that you’re nobody in Iran if you haven’t been imprisoned; another rolls his eyes at the author’s obsessive trawling of mosques, protesting, "People will think I’m with a fanatic." The book is replete with historical arcana (such as the second-century Parthian tactic of catapulting jars of bloodsucking flies at enemies), ruminations on the "turbulent calligraphies" of Islamic architecture, and labyrinthine footnotes that threaten to leap off into tomes of their own. Elliot is a travel writer of the old school: untethered to an itinerary, eager to be led astray, and as ardent an observer of the experience of travelling as of his destination.
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From Booklist
Briton Elliot is the author of the beautifully written An Unexpected Light: Travels in Afghanistan (2001), in which his trips to that war-torn country were relived with graphic detail and trenchant understanding. His new book, equally stylish and meaty and compassionate, documents his journeys around another uneasy country. Elliot went to Iran for the purpose of writing another travel book, his desire to witness contemporary Iranian society in light of the shadow but also inspiration cast over it by the wealth of ancient Persian culture. No year in Provence, this author's traveling experiences will make armchair travelers gulp at the lack of creature comforts; on the other hand, splendid visual evidence of political and religious pasts will perhaps stir that very armchair traveler into ticket-holding action. Elliot visited the major cities as well as the smaller ones; his journeys took him over hill and dale. He knows Iranian history and culture, obviously, and equally obvious is his good sense, in composing travel literature, to smoothly integrate factual background into swiftly moving narrative foreground. Brad Hooper
Copyright © American Library Association. All rights reserved

Customer Reviews

good, not great
I loved Jason Elliots first book about Afghanistan, and expected to be engaged with this one. For the most part, I was - the rich culture, history and art of Iran, as well as the local customs and modern problems were brought out by his anecdotes. And tho I struggled with some of his musings about Persian architecture, its a topic I have an interest in. However, his verboise descriptions of poetry and poets, and of name after name of historic references, lost me several times, and so I skimmed a bit. Still - he is a wonderful writer, and I'd read more by him. Just wish I had more background to understand some of his narrative.

An outsider's deep exploration of Iran
Mirrors of the Unseen offers an informed Englishman's perspective of Iran, pictured in the passages of experience of the author's seemingly random travels over three years, augmented by larger readings of history -- tempered by an apparent knowledge of the importance of mysticism in the Iranian worldview. Most media reviews of the book have been highly laudatory. One by an Iranian of dubious extraction, Amir Taheri, indicated some vitriolic distaste for the book's origin and message, raising my interest further. The latter review dwelt mainly on the missed opportunities of Elliot's visits, which merely confirms Elliot's own view that the culture of Iran is immense when viewed historically, and could not possibly be adequately seen in three years. Likewise, a cursory reading of Elliot's book would inevitably miss many of its deeper points, as did Taheri's. Elliot makes every effort to emphasize the importance of historical art as the purveyor of messages sent over the course of thousands of years -- messages not out of date, but bearing lasting practical value. As such, his book has worth both as a tale of travel by a modern Westerner looking, full of humor and humility, to understand another country, and as an entryway for journeys into philosophy and the meaning of art and science taken at a higher level.

Very Satisfying
Elliot does his research well and writes with an understanding of the local culture. It helps too that he can read persian. I was expecting to find accounts of encounters with oridinary iranians and conversations with them revealing their attitudes and opinions. Instead, I found a travelogue filled with descriptions of art in Iran. It was just as nice to read of the history of art in Persia. He appears to be a genuine and hardworking student of persian art and works hard to decipher the intentions of the persian artists and convey their subtlties and magnificence to us.There are descriptions of encounters with locals. Amusing anecdotes of encounters with taxi drivers who are trying to rip him off his dollars or pounds.

All in all a very informative and interesting book.