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Mediterranean Winter: The Pleasures of History and Landscape in Tunisia, Sicily, Dalmatia, and the Peloponnese

Mediterranean Winter: The Pleasures of History and Landscape in Tunisia, Sicily, Dalmatia, and the Peloponnese
By Robert D. Kaplan

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“Artful and intelligent . . . . Kaplan's book has made its own mark. . . I am able to feel the sense of an exotic and timeless part of the world.”
— Bob Hoover, Pittsburg Post-Gazette

“[Kaplan] helps the distant past resonate today. . . . [He] teaches lessons that are informative and concise.” –The Washington Post Book World

“A writer of extraordinary intellect and passion . . . with a wonderfully lucid way of relating history as a living thing.” –San Francisco Chronicle

“Erudite and intrepid. . . . [Kaplan] is a deft guide to wherever he chooses to lead you.” –The New York Times


Product Details

  • Amazon Sales Rank: #296220 in Books
  • Published on: 2005-03-08
  • Released on: 2005-03-08
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 272 pages

Features


Editorial Reviews

Review
“Artful and intelligent . . . . Kaplan's book has made its own mark. . . I am able to feel the sense of an exotic and timeless part of the world.”
— Bob Hoover, Pittsburg Post-Gazette

“[Kaplan] helps the distant past resonate today. . . . [He] teaches lessons that are informative and concise.” –The Washington Post Book World

“A writer of extraordinary intellect and passion . . . with a wonderfully lucid way of relating history as a living thing.” –San Francisco Chronicle

“Erudite and intrepid. . . . [Kaplan] is a deft guide to wherever he chooses to lead you.” –The New York Times

From the Inside Flap
In Mediterranean Winter, Robert D. Kaplan, the bestselling author of Balkan Ghosts and Eastward to Tartary, relives an austere, haunting journey he took as a youth through the off-season Mediterranean. The awnings are rolled up and the other tourists are gone, so the damp, cold weather takes him back to the 1950s and earlier—a golden, intensely personal age of tourism.

Decades ago, Kaplan voyaged from North Africa to Italy, Yugoslavia, and Greece, luxuriating in the radical freedom of youth, unaccountable to time because there was always time to make up for a mistake. He recalls that journey in this Persian miniature of a book, less to look inward into his own past than to look outward in order to dissect the process of learning through travel, in which a succession of new landscapes can lead to books and artwork never before encountered.

Kaplan first imagines Tunis as the glow of gypsum lamps shimmering against lime-washed mosques; the city he actually discovers is even more intoxicating. He takes the reader to the ramparts of a Turkish kasbah where Carthaginian, Roman, and Byzantine forts once stood: "I could see deep into Algeria over a rib-work of hills so gaunt it seemed the wind had torn the flesh off them." In these austere and aromatic surroundings he discovers Saint Augustine; the courtyards of Tunis lead him to the historical writings of Ibn Khaldun.

Kaplan takes us to the fifth-century Greek temple at Segesta, where he reflects on the ill-fated Athenian invasion of Sicily. At Hadrian's villa, "Shattered domes revealed clouds moving overhead in countless visions of eternity. It was a place made for silence and for contemplation, where you wanted a book handy. Every corner was a cloister. No view was panoramic: each seemed deliberately composed."

Kaplan's bus and train travels, his nighttime boat voyages, and his long walks in one archaeological site after another lead him to subjects as varied as the Berber threat to Carthage; the Roman army's hunt for the warlord Jugurtha; the legacy of Byzantine art; the medieval Greek philosopher Georgios Gemistos Plethon, who helped kindle the Italian Renaissance; twentieth-century British literary writing about Greece; and the links between Rodin and the Croa-
tian sculptor Ivan Mestrovic. Within these pages are smells, tastes, and the profundity of chance encounters. Mediterranean Winter begins in Rodin's sculpture garden in Paris, passes through the gritty streets of Marseilles, and ends with a moving epiphany about Greece as the world prepares for the 2004 Summer Olympics in Athens.

Mediterranean Winter is the story of an education. It is filled with memories and history, not the author's alone, but humanity's as well.

From the Hardcover edition.

About the Author
Robert D. Kaplan is a correspondent for The Atlantic Monthly and the bestselling author of eight previous books on foreign affairs and travel, including Balkan Ghosts, The Ends of the Earth, The Coming Anarchy, and Eastward to Tartary. He is a senior fellow at the New America Foundation in Washington. He lives with his wife and son in western Massachusetts.


Customer Reviews

Absolute Pleasure on a Lazy Sunday4
One of Kaplan's most recent works is an excellent read, suitable for a lazy Sunday morning when one is noshing on a bagel and daydreaming about traveling the southern 'fringe' of Europe.

The prose is captivating and lyrical, particularly in Tunisia and Dalmatia. It is also a fascinating look at the development of the man as he makes his leap from 'travel writer' to 'current events' writer and journo.

One point in the book stands out in my mind. This is Kaplan's encounter with a West-hating North African, who nonetheless comes to develop a wary friendship with the author. Over time, Kaplan's aquiaintance grows out of his radicalism and acquires a middle-class lifestyle, with a job and a mortgage. (Which development followed the other is left up to the reader to decide.)

I only caution that those who approach Kaplan's work from his hard-hitting current events books might be slightly let down with this effort. One can certainly see the beginnings of the memes and keen insights that Kaplan sprinkles liberally throughout his other work. However, this is a book about history and the 'deeper' pleasure of travel, not a meditation on the state of things to come.

Delightful Jaunt Through Antiquity5
This is a delightful piece of travel writing by one of the genre's masters as he wanders through some of the most history-rich real estate in the world. Covering both sides of the Mediterranean --in winter, no less -- Kaplan weaves into his narrative the historical heritage and significance of each place he visits. At each stop he shares his personal impressions, as well. One of the most endearing qualities of this book is the tribute he pays to other travel writers who covered the same ground over the years, ranging from the Homeric era to modern day. For me, the book ended perfectly, as Kaplan concludes his trip at the Greece home of Patrick Leigh Fermor, the legendary travel writer and war hero, whose books chronicling his walk across Europe as the storm clouds of WWII were gathering, remain travel writing classics. Kaplan has paid his dues as a journalist, with his years of visiting mostly third world countries, staying in ratty hotel rooms, surviving on boiled eggs, and spending endless and boring hours on buses to nowhere. This has given him rare insights into our world and its people -- insights he generously shares with us. It's like taking a trip with a master traveler. A masterpiece.

Beautiful travel writing based on extensive historical research!5
As in "Balkan Ghosts," Kaplan writes with great clarity and intelligence, weaving a fine travel narrative founded on extensive historical research. He writes with a unique and creative eye, and tends to focus on important yet little-known locales. He philosophizes quite a bit, but it is an intriguing, pleasurable philosophy. The following quote from his section on Greece crystallizes for me the special appeal of this type of writing, "...travel writing, rather than a low-rent occupation for the Sunday supplements, could also be a means to explore art, history, literature, and statecraft..." Precisely! Bravo, Kaplan!

Reviewed by David Lundberg, author of Olympic Wandering: Time Travel Through Greece