Product Description

For more than a year David Byrne has been employing the ubiquitous sales and presentation program PowerPoint as an art medium. E.E.E.I (Envisioning Emotional Epistemological Information) is a book of images and essays, plus a DVD which plays 5 of his PowerPoint presentations accompanied by original music. The book component contains a dozen new exploratory texts and a whole lot of bold, graphic images created with the help of PowerPoint's built-in tools and visuals--not to mention the fun of plastic overlays and nifty foldout pages. And you may ask yourself, what is the meaning of this? And you may ask yourself, what is this about? It is about taking subjective, even emotional, information and presenting it in a familiar audiovisual form--using a medium in a way that is different, and possibly better, than what was intended. It is about appropriating a contemporary, corporate staple and making something critical, beautiful and humorous with it.
Slipcased, 13.75 x 10.5 in./96 pgs / 96 color 0 BW0 duotone 0 DVD~ Item D20304

Product Details

• Amazon Sales Rank: #344188 in Books
• Published on: 2003-08
• Released on: 2003-07-02
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 96 pages

Amazon.com Review
David Byrne is the only rocker who could have imagined turning Microsoft PowerPoint into an art form. When Time put Byrne on the cover in 1986, the title was aptly, "Rock's Renaissance Man." Indeed, the one-time lead singer/architect of The Talking Heads composes operas, symphonies, and soundtracks, made a film (True Stories), and was a wunderkind video artist and designer (Time even let Byrne create his cover). Byrne's oddly-titled 2003 coffee table book ("epistemological" is a philological look at the origin, methods, and limits of human knowledge) is new version of mixed media, a rough dissertation on a visual, universal language. Bryne mixes the familiar images of a PowerPoint presentation out of the norm, be it a complicated flow chart or altered icons. The message is blurred at times (as with the title, big words prevail), but the project takes a fuller form on the accompanying DVD that's region-free with NTSC and PAL formats, making it playable practically around the world. The five presentations (approximately 25 minutes in all) are accompanied by original musical compositions. Byrne plays the usual patterns of PowerPoint--overlays, swipes, and fades--resulting in an intriguing art exhibition that could even play on a laptop computer with DVD-ROM drive. The least interesting chapter of the book ("Physiognomies") is the most moving piece on the DVD. The final result could be considered art, or just a high-minded swipe at the "Dilbert" office world that uses the program. Regardless, E.E.E.I. is a unique concept one might have to "stop making sense" and just enjoy the experience. --Doug Thomas

About the Author
David Byrne was born in Dumbarton, Scotland in 1952 and lives in New York. Although he is known primarily as a member of the New Wave band Talking Heads, he has been exhibiting visual art in galleries and museums around the world since the 1990s. Much of his work is done anonymously and publicly, including a series of street posters in New York and light boxes in Sydney, Australia.

Customer Reviews

It's not just for business anymore...
Ok, first off honesty and self-debasement: I bought this work mostly because it has David Byrne's name on it. Now I feel better, and can continue.

There's obviously more to this book and DVD than simply "David Byrne" - there's a sorely needed look at just how some of the simplest and most seemingly benign aspects of our lives can inculcate us into a certain manner of being or indoctrinate us into a specific world view. We often use tools and or processes as if on auto-pilot and the nuances escape like nibbling gerbils in a shoebox. That is the basic underlying theme of this work, regardless of one's opinion of the artwork or the, what seems to be, over emphasis on a Microsoft product.

Byrne says as much in the book's "exegesis": Microsoft Powerpoint, through the use of such make-it-as-easy-as-possible tools - "wizards" or "auto content managers" - has the ability to sink into our daily lives and affect our behavior and opinions on things if used uncautiously (really, like anything else in the world). On the flip - and far less pernicious - side, such tools can be downright fun to play with if one lets themselves go and thinks of the tool outside of its original purpose. So, again, in the "exegesis", Byrne makes an assumption: Powerpoint is a means of expression much in the way that finger paints, clay, or crayons are. He assumes that Powerpoint can be utilized as an art form. In this way the software takes on a new life, and forces someone to look at it in an entirely new way. It's not just for boring business presentations anymore! Wake up, people, it's fun!!

All of the above is not readily apparent if one dives into the accompanying DVD tabula rasa. At first sight, one is bound to find the work frivolous and maybe even juvenille or pretentious. At the very least these pieces will probably evoke the typical question of "why?" The answer to this useful interrogative word is that these pieces are not meant as ends unto themselves, but as processes, as ways of evoking new ways of thinking about something most of us take for granted. By the very asking a new way of thinking can open up. So, whether or not one appreciates these pieces as works of art is probably not the point of this project. Seeing everyday things in a new and playful way is probably more on cue than any pure aesthetic or artistic endeavors.

I'll admit straight out that this book and DVD has influenced the way I look at Powerpoint. Being one of the few survivors of the recent Information Systems employment slaughter, I use Powerpoint frequently and witness the Powerpoint presentations of others a little too frequently. The other day I actually sat down and played with Powerpoint. It was fun, I almost hate to admit it. I sent my work to some co-workers and asked them to "be ready to present on this 7am Monday morning". Of course it was all nonsense in Spanish, English, French, and Japanese complete with unconnected twirling and dissolving pictures and meaningless pulsating charts and graphs. I'm not sure what my co-workers thought of it, but I had fun.

There's more to this work than a glance can capture. Deep down there's mostly fun and a new perspective that can be applied to all avenues of one's mundane business life and software.

A hit or miss art book...
David Byrne's latest adventure into picture books is, like his post Talking heads solo career hit or miss and always interesting. Artistically this book ranges from beutiful, to intreaging, to ugly, but is always original.

Unfortunaltly being original is not enough positive to excuse paying $56 for a book. So this perchase should be relegated to either the wealthy and curious, or the David Byrne fans (like this reviewer).

However for those of you who might buy this book, Mr. Byrne doesn't dissapoint for the most part. Peoples issue ith Byrne is his need to be original instead of being great. The result is interesting, but not always worthwhile, with the Talking Heads his bandmates always kept him grounded for the most part and it wasn't until their split in '88 that his eccentricities really showed, musically his ambitions have ranged from trip hop, to Latin, to garage, to space, and back. Artistically his work has reflected his love of small things, he would photograph chairs, pipes, upside down body parts, etc. There was of course a certain sence of irony that came with these images, he made the human body look funny and made a big deal out of common household items, they were detached, alienating, and to some dadaist extent, beutiful.

This images are either complete originals or taken from advertisements, at their best they take images we might see on TV and twists their meaning into themes of technology alienating our lives, especially the digital phrenology stuff at the end. HOwever as previously stated, while Byrne has become more intinatly aquainted with the medium than on his previous effort, "Your Action World" he is still limited by it.

If you have the money and the desire, then pick it up, but don't go out of your way, its not particularly inspiring to an artist, but merely a point of interest.

Not a tour de force...
David Byrne has always intrigued me for his ability to break new boudaries and think outside the box. Unfortunately, he might have spent a little more time inside the box before trying to break out of it in this effort. Having suffered through many a first-time Powerpoint user's presentation in business and academic circles, I'd have to say this effort rates only too similar to a newbie's production. Some features of powerpoint just shouldn't be used (or used once at most) and those who use Popwerpoint frequently--including artistic types--know better. As Byrne eloquently argues at the outset, Powerpoint herds its users into a type of "pod" mentality--a drab, homogeneity lacking creative expression and inspiration. It's just that type of forced sameness that Byrne rails against. But his DVD production breaks few rules, uses transitions that make Powerpoint audiences cringe (the swirling drop-in is used several times) and fails to take advantage of Powerpoint's powerful multimedia features, notably video and audio (although the DVD does have a soundtrack). Overall, I was disappointed. There are some nice features in the book--the transparency overlays and fold-outs are imaginative--but I'm not sure they offer enough to make this a compelling buy. Based on this effort, I don't expect to see a wing of MOMA dedicated to Powerpoint art.