Brake every rule you know and make great improv. This is my favorite improv book for improvising.

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Product Description

For more than 20 years of directing, teaching, and participating in improvisation, Mick Napier has watched thousands of scenes. His experience as founder of the acclaimed Annoyance Theatre/Annoyance Productions, as well as Resident Director and Artistic Consultant for The Second City, has led him to continually question why and how scenes work or don't work and what one must do in order for a scene to be successful.

In this book, Napier takes an irreverent, but constructive look at the art and practice of improvised scenes. He covers such topics as:

• two-person scenes
• group scenes
• entering scenes
• techniques to achieve richer, more layered scenes
• auditioning
• solo exercises for practice at home.

Napier also challenges the conventional wisdom of the rules of improvisation, examining what's behind them and how they came to be in the first place.

Get helpful, tangible guidelines for bringing strength and direction to your scenes. Just Improvise.

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Product Details

• Amazon Sales Rank: #77357 in Books
• Published on: 2004-03-03
• Original language: English
• Number of items: 1
• Binding: Paperback
• 144 pages

About the Author
Mick Napier is the founder of the acclaimed Annoyance Theatre/Annoyance Productions, as well as Resident Director and Artistic Consultant for The Second City. He lives in Chicago.

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Customer Reviews

Praise from a cynic
Improv books tend to fall into three categories:

(1) New ideas poorly articulated (Improvisation for the Theatre for example - the bible of improv that is impossible to read cover to cover)

(2) Books that cover old ground in an easy to read way that is effective for someone trying to learn improv (Keith's second book, my own book: The Ultimate Improv Book [hopefully ;>])

(3) Books with 'improv' in the title that are more collections of games or (worse) exercise-teaching plans without any learning outcomes.

This book does not fall into any of those categories. I'm amazed it was published.

It's a book for people who already know improvisation. But Mick argues that the most accepted ways to teach improvisation are not only ineffective, they are COUNTER effective.

And he makes a great argument.

I had already started on the path he lays out (I've no longer teach 'blocking' off the top, instead concentrating on reducing fear and encouraging failure), but I have not gone nearly as far as he suggests (Not teaching blocking ever). It's a bold step and I am going to try it in the next class I teach.

In short, who should buy this book?

(1) If you are already an improviser. You've been trained (somewhere) and are looking for a challenging new way to look at your crafty

(2) You are an instructor who is looking for a new way to teach (not new games, but new principles)

Who should also buy this book:

(1) If you are buying your first improv book. Buy this book, but also pick up one of the standards - know what you are not learning - if only so you can discuss it with other improvisers (I know Mick would not suggest this, but we don't agree on everything)

(2) If you are set in your ways and figure you know the right way to do improv - buy this book and see if you can open your mind a little. I would be interested to hear counter arguments to Mick's ideas.

I am calling all my improv friends and telling them to buy this book. It's the first book with something new to say in a long time.

Congratulations Mick. I wish you had written this book earlier.

Edward J Nevraumont
Co-author: The Ultimate Improv Book

Great book on improvisation, a must read!
So far I've read Chalma Halpern's "Truth in Comedy", Viola Spolin's "Improvisation for the Theater", Keith Johnstone's "Impro", and now this book, and I would say this one has the most useful information as far as *becoming a better stage improviser" goes. What I mean is that it is full of tips, advice, and useful things to consider, and seems meant for someone who has already knows a little bit about the BASICS. Mick Napier asks the reader to rethink some of the "rules" that the basic improv teaching lays down, while adding some important insights of his own.

In this sense, I think that "Truth In Comedy" is the best INTRO to improv, for someone just starting out. Then, I'd recommend "Improvise: Scene From The Inside Out" as a necessary followup, and then Keith Johnstone's "Impro" as a whole new viewpoint and also a deeper insight into the philosophy of being in the moment. (By the way, I would avoid the Viola Spolin book - it's written in a strangely stilted, boring, hard-to-read style, and really contains no memorable information).

Particularly useful in Napier's book are the "Exercises To Do At Home", which is something I've been looking for - most other books have exercises which are meant to be practiced in a group setting.

I found the chapter on "Improvisation & the Second Law Of Thermodynamics" to be unnecessary though - it didn't really add anything and seemed to be sort of a weird tangent. Luckily, it's short.

Anyhow, after reading this book I really do feel as if I understand a lot more about what separates a "great" improviser from a merely "good" one. Now comes the hard part - PRACTICING & GETTING UP THERE AND DOING IT!!!

P.S. I was recommended this book by Dustin Sharpe, my Improv instructor at the Acting School of South Florida, and also a member of the awesome improv group Mod27. Thanks Dustin!

Must have for the serious performer
This is an awesome new addition to the list of improvisation books currently out there. Mick covers new ground with new ideas and new ways to look at traditional improv thought ie Truth in Comedy. It cleared up so much that I found foggy about my formal training and provided me with so much to move forward with. This book is a must for anyone with a desire for quality work. Well done Mick. My thanks.