Product Description

"Dark Days" is the multi-award winning documentary from Marc Singer about a community of homeless people living in a train tunnel beneath Manhattan. The film depicts a way of life that is unimaginable to most of those who walk the streets above. In the pitch black of the tunnel, rats swarm through piles of garbage as high-speed trains leaving Penn Station tear through the darkness. For some of those who have gone underground, it has been home for as long as twenty-five years. The director abandoned life on the outside to spend all of his time in the tunnels, making it his home for two years. Surprisingly entertaining and deeply moving, "Dark Days" is an eye-opening experience that shatters the myths of homelessness with the strength and universality of the people the film represents.

Product Details

• Amazon Sales Rank: #29919 in DVD
• Brand: UNIVERSAL MUSIC GROUP DISTRIBUTION
• Released on: 2001-09-25
• Rating: NR (Not Rated)
• Aspect ratio: 1.85:1
• Formats: Anamorphic, Black & White, Color, Dolby, DTS Surround Sound, DVD, Widescreen, NTSC
• Original language: English
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 94 minutes

Amazon.com
For two years Marc Singer lived with the people who make their home in the tunnels beneath Penn Station in New York, creating an unflinching portrait of a part of society that is literally and figuratively beneath our notice.

"You'd be surprised what the human mind and body can adjust to," says Tito, one of the tunnel dwellers. He and his neighbors are homeless, but the tunnels offer them a degree of safety that doesn't exist on the streets above. In this strange place they manage to achieve a remarkable degree of domesticity, building shelters, keeping pets, and cooking meals.

Singer has an eye for telling images, such as Dee dragging a sofa along the train tracks like Sisyphus rolling his stone in Hell. With its grainy black-and-white photography and haunting soundtrack, this is a surprisingly beautiful film, but it is never sentimental, nor does it try to impose a false nobility on its subjects. Dark Days simply shows us a world that we never knew existed, and in this simplicity lies its power. --Simon Leake

Customer Reviews

It takes hard work and ingenuity fo live in a subway tunnel
This documentary won three separate awards in the Sundance Film Festival in 2000. I can well understand why. At that time there was a whole colony of homeless people who lived underground in the subway tunnels in New York City. It was dark and damp and full of rats, but yet they preferred it to a homeless shelter. There, they erected their personal shacks and struggled for survival, venturing out to forage in garbage cans for food as well as for stuff to sell. British Producer Marc Singer was so fascinated by these people that he ventured into these tunnels and spent two years getting to know them. Eventually he wound up living with them and made this film, using the homeless people themselves as crew.

The film is unique in that it shows these homeless people as human beings and the viewer gets to know them as individuals. Yes, many of them have drug problems, but they still have lives, hopes and dreams, a tough will to survive and often a sense of humor. They manage to cook meals on makeshift stoves and there is a feeling of camaraderie among them. We also see their ingenuity with the very little they have. And realize that their days are full of hard work just to survive. The conditions they live in are absolutely squalid. But this is their home.

During the course of the film, Amtrak decided to rid the tunnels of the people and homeless advocates negotiated for them to be placed in real housing. By the end of the film we see them in real apartments. There is an upbeat quality to this ending of the film.

However, the DVD is much more than the actual film. There's a 40-minute interview with the filmmaker, Marc Singer, which is equally as fascinating as the film. I hadn't realized that he was a non-professional person who had never made a film before. He spent all his money on a camera and had to learn how to load the film. He became obsessed with making the film, and became homeless himself after starting to edit the more than 50 hours of film he had shot. There were many delays and setbacks but eventually the film was made and received many accolades.

On the DVD we also get to find out what happened to the many individual homeless people who we got to know through the film. A few had died but most of them had moved on and were leading more productive lives. It felt good to know this and to realize that Marc Jacobs had really done a tremendous good deed by merely making this film. I applaud him in every way. And I also applaud the film. Highly recommended. Especially on DVD with the added features.

An Incredible Black & White Sundance Award Winner
Imagine for a moment that you're a regular bloke and you want to do something to help the New York City homeless. You've got very little money, no resources, but a big heart. What could you possibly do to make a dent in their population?

If you're Marc Singer, the man behind this Sundance Award winning documentary, you found a way to do quite a lot.

For a person who'd never touched a movie camera before starting in on this "project", one can see why this film impacts its viewers on multiple levels. Shot in grainy black-and-white 16mm film, this documentary gives us a startlingly real-life look at several homeless people living in self-built shanties in the Amtrak tunnels under the city. No light makes it down there, except whenever a train skirts by or via the makeshift lighting this weird community has produced by tapping into Amtrak's electrical system.

Marc Singer delves into this society. And I mean he DELVES. Mr. Singer gave up living on the surface and slunk into this netherworld for two years in order to shoot his film. And who did he use as grips, sound assistants, and lighting experts? The homeless themselves.

More interesting than the film itself is how it got made. After watching the documentary, I went ahead and looked over the special features on the DVD and found a "Making Of" track which focused on Mr. Singer and how he accomplished his film making. This showed the incredible lack of understanding of anything related to filming and those who helped him out, both in teaching him and by giving him financial help so that the documentary made it out to the public. We also get to see the amazing multiple awards that the documentary won at Sundance; an incredible set of scenes that contrasts starkly with what Mr. Singer had gone through in order to make this film a reality.

Never giving up on his newfound tunnel companions, never letting financial devastation overtake him, never giving up creative control, all added to the success of the film and my enjoyment of all aspects of it. Bravo, Mr. Singer.

(You might be asking what happens to the tunnel-bound homeless. It's a perfect ending to the film, so you'll have to watch it. I ain't giving it away!)

You will never forget this film
One evening I was flipping through channels on the TV and came across "Dark Days" on Sundance Channel. I have not seen the DVD so I can only comment on the version that ran on Sundance. It was the most riveting documentary I have ever seen. Although it has been six months since I caught it on TV, and I haven't been able to catch a rerun since, I have not been able to forget it. I came to care about the people living in the tunnel, and when the film was over, I felt as if I had just lost touch with some friends.

What struck me about this film is that it was made on such a limited budget by people who lived in the tunnel. There were no prima-donna actors, directors and producers. As a result, the film is an honest portrayal of life under the tunnels.

There is excellent information on how the film was made at [web page], and you can also catch some samples of the haunting music from the film.

The film inspired me to learn more about the people living in the tunnels under New York. Two books I would recommend on the subject are "The Mole People" by Jennifer Toth, and "The Tunnel" by Margaret Morton.