Track Listing

1. Needle in the Camel's Eye
2. Paw Paw Negro Blowtorch
3. Baby's on Fire
4. Cindy Tells Me
5. Driving Me Backwards
6. On Some Faraway Beach
7. Blank Frank
8. Dead Finks Don't Talk
9. Some of Them Are Old
10. Here Come the Warm Jets

Product Details

• Amazon Sales Rank: #5734 in Music
• Released on: 2004-06-01
• Number of discs: 1
• Format: Original recording remastered

Album Description
Limited Edition Japanese "Mini Vinyl" CD, faithfully reproduced using original LP artwork including the inner sleeve. Features most recently mastered audio including bonus tracks where applicable.

Amazon.com essential recording
In 1973, fed up with Bryan Ferry's domineering in Roxy Music, Eno leapt into a solo career that would find him championing the "art" in "artifice." This record is a who's who of the then-burgeoning English art-rock scene, featuring Robert Wyatt, Robert Fripp, and every member of Roxy Music except its leader (thus answering the musical question, "What if Eno had helmed the third Roxy record instead of Ferry?"). Warm Jets sports a lightheartedness that was a refreshing antidote to the pomposity of Yes and ELP on the dark side of art-rock's spectrum, with nonsensical, sound-based couplets such as "Oh headless chicken / How can those teeth stand so much kicking?" This debut is a milestone not just for Eno, but for all rocking music. Listen to Fripp's furious guitars on "Baby's On Fire" and "Blank Frank." It's incredible, Velvet Underground-inspired rock in a scene that had forgotten what rocking meant. --Gene Booth

Customer Reviews

Great remastering but no bonus tracks, booklet or notes on the making of the album.
"Here Comes the Warm Jets" announced Eno's intention from the first track; make groundbreaking, melodic music in the Roxy Music vein. The irony is that, for all intents and purposes, this was Eno's version of Roxy Music. If he were the lead vocalist, main songwriter in the band this is the material he'd be putting out there. It makes a great companion piece to Roxy's third album "Stranded". Ferry and Eno, in retrospect, compliment each other very, very well. As Ferry himself stated, he now wishes they had kept Eno and added Eddie Jobson. I couldn't agree more.

The improved sonics are the chief reason to pick this up. The detail is better, clarity is better (even on a cheap stereo) and the warmth and atmosphere of the original recording becomes evident from the first guitar chord. The packaging is another matter entirely. I like the digipak design but do wish that there were some comments from Eno and his band mates about the making of this classic album. The reproduction of the original artwork seems pretty darn close to the original vinyl version for the most part.

From the stuttering Robert Fripp guitar solo for "Baby's On Fire" to the odd chord progression of "Driving Me Backwards", every track manages to capture your attention. This is Eno's candy store and he's displaying all his sweet wares for the first time. Later albums would focus on other elements but here his talent burst forth in full flower.

Another minor complaint--where is "Seven Deadly Finns" and the material from Eno's only charting EP? It would have made a perfect addition to this album (even if it was released as a two disc set keeping the original albums intact and separate). It's a pity. Still, the DSD technique for transferring these priceless recordings captures the vibrant sound and impact of the original recordings without the sterile atmosphere of CD. Well worth picking up.

Wow!!!
I discovered this album about eight years after it's original release,purchasing it the year I got out of high school;it instantly became a favorite of mine and many friends. Warm Jets kick starts with Phil Manzanera's razor like rhythm guitar on "Needles In The Camel's Eye". "Baby's On Fire" features a ferocious guitar solo from Robert Fripp which some think is his best ever. "Driving Me Backwards" actually manages to sound like it's almost "backwards". Side 2 is more musically thematic with all the pieces seguing into one another. The transition from the dreamy "On Some Farraway Beach" to "Blank Frank" will jolt you out of your seat. This has got to be one of the top ten most essential albums of the 70's.

the jets are still warm (hot, even)
Some Eno-fanatics may argue that this isn't Brian's best solo album. I'm not saying it is. I simply won't go there. I admire just about everything Eno's done, from Roxy to the solo stuff to the ambient, and beyond. I WILL say that I've been listening to this album for more than 20 years (hell, I'm playing it as I write this), and I remain stunned by its timeless ability to thrill and amaze. Yeah, it's "weird," and comes out of those hazy, crazy "Glam" days in the U.K of the early '70s. So it's not for everyone. And OK, maybe there is a Velvet Underground influence here. But nothing on this album sounds the least bit dated, 30 years on, and, Velvets notwithstanding, this is PURE ENO. The man has a sublime gift for melody, texture, rythmn, instrumentation, lyrics (absurd as they may be), electronics, and just plain VISION. This LP's got it all: proto-punk, grace, hard-core rock (Robert Fripp and Phil Manzanera's superb guitar), atmosphere, heartbreaking melodies. And it goes on from there. I can---no, I simply MUST---recommend "Warm Jets" for any rock fan with an open mind. I aim that comment especially towards those 20-year-olds out there who wouldn't think of going back to 1973 for a disc. Try it. You might love it. It might just open up a world to you.