Product Description

Journey to dazzling seventeenth-century Hindustan, where the reigning emperor, consumed with grief over the tragic death of his beloved wife, commissions the building of the Taj Mahal as a testament to the marvel of their love. Princess Jahanara, their courageous daughter, recounts their mesmerizing tale, while sharing her own parallel tale of forbidden love with the celebrated architect of the Taj Mahal. This impressive novel sweeps readers away to a historical Hindustan brimming with action and intrigue in an era when, alongside the brutalities of war and oppression, architecture and the art of love and passion reached a pinnacle of perfection.

Product Details

• Amazon Sales Rank: #8424 in Books
• Published on: 2006-06-06
• Original language: English
• Number of items: 1
• Binding: Paperback
• 344 pages

Features

• ISBN13: 9780451218469
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From Publishers Weekly
Shors's spirited debut novel tells the story of the eldest daughter of the 17th-century emperor who built the Taj Mahal. From her self-imposed exile, Jahanara recalls growing up in the Red Fort; the devotion her parents, Shah Jahan and Mumtaz Mahal, had for each other; and the events that took place during the construction of the fabulous monument to their love. Although Jahan is the emperor and has many wives, Mumtaz (he calls her Taj) is his soul mate, a constant companion and wise political consultant. She even travels with him into battle, where she eventually dies giving birth to their 14th child. Fortunately, she has the foresight to begin preparing her favorite daughter, Jahanara, by instructing the girl in the arts of influence and political strategy. Thus the young woman is able to pick up where her savvy mother left off. From then on it is Jahanara who advises the emperor, often instead of her dreamy brother, Dara, who is the rightful heir to the throne. It is she who helps with construction of the magnificent mausoleum for Mumtaz's remains and who falls in love with its architect, Isa, a man whom she can never marry. And it is she who leads a failed effort to defend the throne against a coup by her evil brother, Aurangzeb. With infectious enthusiasm and just enough careful attention to detail, Shors give a real sense of the times, bringing the world of imperial Hindustan and its royal inhabitants to vivid life.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
As any reader of travel brochures knows, the Taj Mahal is a monument built by a grieving widower in remembrance of his beloved wife. Travel Channel viewers may be aware of more detail, like the fact that it was built in 1632 by the Emperor of Hindustan, Shah Jahan, to symbolize his love for his wife, Mumatz Mahal, whom he called "Taj." But only readers of this exquisite tale will be able to gain a thorough understanding of what life must have been like in that time and place, where love was neither easily obtained nor free of political ties.

The author centers his tale on Princess Jahanara, the oldest daughter of the Shah and Mahal, as she tells the story of their great love to her granddaughters. Jahanara also talks about her own romance, but hers was of the forbidden type that's rife with conflict, abuse, and censure. These intimate events are set against the backdrop of the era-a difficult time of war, rebellion, and religious tension. The result is a rich story that informs readers of little-discussed history, but doesn't weigh them down with it. Rather, Shors is adept at letting the parallel tales unfold through his increasingly complex characters. Most touching are scenes like the one in which Jahanara sees the first large sketches of the monument, done by her lover, an architect she can't marry: "It gave life to something wondrous, something he'd called a tear of Allah. To me, the mausoleum became a jewel surpassing even Mother's beauty. Its arches and towers and facades were not of this world."

Shors infuses this novel (his first) with his love of the foreign; after his college graduation, he lived in Japan and then backpacked across the continent, spending a large amount of time in India. Returning to America, he worked as a newspaper reporter in Iowa, winning a statewide journalism award for investigative reporting, and then as a public relations executive. This personal exploration is apparent in the novel, since Shors's descriptions are like those of a passionate traveler who appreciates exotic locales.

Although he brings Jahanara to life gradually, and makes her pain and ecstasy feel real, Shors also creates a vivid and striking world that feels as close as a plane ride. Most important, he manages to convey universal feelings in a tangible and intimate way. Shah Jahan's grief isn't just that of a man who lived centuries ago; it's a well of emotion felt long before Mumatz Mahal ever lived, and is still felt today. Shors's ability to tap into that well, and make it so alive, renders the novel as luminous a jewel as any that adorn the Taj Mahal's walls. -- ForeWord, August

In his debut, Shors offers a glimpse into the politics and intrigue of the 17th-century court of India during and after the construction of the Taj Mahal as a mausoleum for the beloved wife of Mughul emperor Shah Jahan. Told through the eyes of the emperor's daughter, the story contrasts the opulence of the court with the desperate poverty of the citizens; we also see the influence of women on political decisions and the perpetual tensions between religious fundamentalism and tolerance. The book is a thrilling tale of the interactions of characters recognizable for their loyalty, duplicity, and passion and will appeal to a wide audience. The author has included enough accurate details to make regular readers of historical fiction happy, too. Highly recommended for all libraries. -- Library Journal, Kim Uden Rutter, Antioch, IL Copyright 2004 Reed Business Information

In his debut, Shors offers a glimpse into the politics and intrigue of the 17th-century court of India during and after the construction of the Taj Mahal as a mausoleum for the beloved wife of Mughul emperor Shah Jahan. Told through the eyes of the emperor's daughter, the story contrasts the opulence of the court with the desperate poverty of the citizens; we also see the influence of women on political decisions and the perpetual tensions between religious fundamentalism and tolerance. The book is a thrilling tale of the interactions of characters recognizable for their loyalty, duplicity, and passion and will appeal to a wide audience. The author has included enough accurate details to make regular readers of historical fiction happy, too. Highly recommended for all libraries.-Kim Uden Rutter, Antioch, IL Copyright 2004 Reed Business Information. -- Library Journal

About the Author
John Shors has spent years in Asia teaching, trekking across the continent, and climbing the Himalayas. Beneath a Marble Sky is his first novel.

Customer Reviews

Wonderful historical fiction
Writing historical fiction is a challenging endeavor. Not only does the author need to know how to do historical research-and actually do it-they must then construct an engaging story that will grab a reader who knows little about the era the story is set in. I once knew a fellow student who took an undergraduate historical research seminar with me just because she wanted to write historical fiction. She simultaneously was working on a master's degree in English. I couldn't understand why someone would think they needed so many classes just to write novels. Fortunately, writer John Shors seems to have conquered the techniques of this genre, as evidenced by his fascinating book "Beneath a Marble Sky: A Novel of the Taj Mahal." I cannot say I am an expert on Mughal India, having only covered it superficially in a couple of World Civilizations courses during my undergraduate career, but the story does jibe with what I remember about sixteenth and seventeenth century India. Obviously, Shors took substantial liberties with the finer points of his story, inventing many incidents and moving some of the places around, but the background information seems solid.

"Beneath a Marble Sky" is a story told in flashback by Jahanara, the favorite daughter of the Mughal leader Shah Jahan (ruled 1628-1658) and his wife Mumtaz Mahal. Her early life is one of luxury and play tempered by a burgeoning sense of responsibility about her future role as a representative of a Muslim emperor ruling over a majority Hindu state. Even as she swims in the river with her brothers Dara and Aurangzeb, or gossips with her Hindu friend Ladli, Jahanara knows that one day she will marry someone of importance to the empire. In the meantime she spends a large amount of time with her beautiful mother, learning how to overcome the obstacles placed in the way of women in a Muslim dominated court. She also begins to see the strains between her brother Aurangzeb and the rest of the family, strains that will one day explode into a series of disasters for the Mughal Empire. Still, Jahanara is content in her youth, enjoying the world around her through the innocent eyes of a child.

As Jahanara grows into a beautiful young woman resembling in no small way her mother, storm clouds appear on the horizon. Her parents marry her off to the sleazy Khondamir, a wealthy silver merchant who only wants Jahanara as a wife to increase his power with the court. This marriage removes the young princess from the day-to-day activities of the court, where the power struggles to succeed Shah Jahan begin in earnest. Aurangzeb, his hatred for the family growing by leaps and bounds, has been spending an enormous amount of time leading the military in campaigns against the Persians in the North and the Deccans in the South. His brother Dara, on the other hand, remains at home studying philosophy and religion. Jahanara worries about Dara's indifference to all things relating to the throne, and tries to warn her brother about the risks posed by Aurangzeb. Meanwhile, Mumtaz Mahal dies while giving birth to a child, thus leading Shah Jahan to build a mausoleum to memorialize his beloved wife. The emperor employs Isa, a talented architect, to build what will become the Taj Mahal. Jahanara helps Isa in this arduous task, which allows her to escape the wily Khondamir for a time. The chore allows Jahanara to show off her intelligence, as well as letting her reenter the political intrigues in the court. On numerous occasions, the princess saves members of her family from Aurangzeb's wrath using only the wits she inherited from her savvy mother. I won't spoil the rest of the story, but twists and turns aplenty abound right up to the last page.

Maybe it's just me, but I thought Shors's writing style resembled in no small way those wonderful translations of "1001 Nights" and similar tales of the Orient. You get an amazing sense of what it must have felt like to stroll through a bazaar, with its exotic sights, smells, and sounds. You also get a strong feel for power politics in an eastern imperial family, which, to no surprise, is about the same as it would be in a European monarchy. The best part of the book in my opinion is Aurangzeb's religious orthodoxy. Here's a guy whose strict Muslim beliefs lead him to brand members of his own family as heretics worthy of execution. Regrettably for the Mughal Empire, the Muslims were a minority in a Hindu country. Aurangzeb hated this majority and punished them accordingly when he assumed the throne. The resulting chaos eventually set the stage for the British conquest of India. In the book, the reader cannot help but see shades of Osama Bin Laden lurking behind the actions and words of Aurangzeb. At first I thought attributing these traits to Jahan's son was anachronistic, but it's not. Aurangzeb really was an Islamic fanatic. As the empire teeters on the brink of annihilation, the Taj Mahal towers in the background, a monument to love surrounded by so much hate and suffering.

Give John Shors's book a go if you love historical fiction. It's a great read about a period of history most westerners know nothing about. The quick pace, wonderful atmosphere, and the major and minor themes in the book will resonate with readers. I have only seen pictures of the Taj Mahal, and will probably never get over to India to see it in person, so reading this book was sort of a substitute for a lengthy trip. I have already recommended the book to a few people I know, and I think you will do the same after you read it.

An exquisite novel on the love story behind the Taj Mahal
Before I say anything else my strong recommendation is to resist the impulse to look at any history of the building of the Taj Mahal. I made the mistake of going on line to find some pictures of the Taj Mahal once I got to the point in John Shors' "Beneath a Marble Sky" where the grand mausoleum had been completed and instead of stopping at the photographs I glanced at what was known about the historical figures at the center of the novel and it gave away a major development. So do as I say and not as I do. Afterwards you can find the true events that weave their way through this exquisite first novel.

All that really matters when you pick up this novel is that you have seen a picture of the Taj Mahal (it is not like there is a bad one). It does not matter whether or not you know that it is a mausoleum or that it honors the Mughal Empress Mumtaz Mahal, because what is important is that if you have seen it you know the Taj Mahal is one of the most beautiful buildings on the planet, a sublime mix of architectural magnificence and aesthetic beauty, and this historical romance is about how it came to be built. When the Taj Mahal is a tomb, then the great pyramids of Giza are reduced to just being piles of big blocks.

The narrator of "Beneath a Marble Sky" is Jahanara, the daughter of the Mughal emperor Shah Jahan and because Jahanara his wife Mumtaz Mahal, who tells her story and that of her family to her granddaughters, who are visiting the Taj Mahal for the first time. The tale begins when she was thirteen and beginning to appreciate how difficult it is to be a woman in a man's world. It seems she will be a spectator to both the great love between her parents and the contention between two of her brothers for her father's throne. Dara is a student of philosophy and religion believes that Muslims and Hindus can life together in harmony, while Aurangzeb is a ruthless warrior and puritanical zealot who wants to extend the borders of the Empire in all directions and send unbelievers to their richly deserved deaths.

When his beloved wife dies the emperor hires a talented young architect, Ustad Isa, to build her a beautiful memorial, the Rauza-I Munavvara ("Tomb of Light"). As the Taj Mahal rises, the conflict between the two brothers comes to a head, but the fate of the empire comes second to that of Jahanara and who has her own love story. When you get to the heart of this novel and why it works it is because Shors comes up with an elegant explanation for why a man would be inspired by a dead woman he has never seen to create the most beautiful building on earth. At the same time Shors remains faithful to the cultures and the poetic rhythms of the languages they speak.

A key part of what makes this novel work is that it is really another tale from the Arabian Nights. Those fabled 1001 tales came from three cultures, Arabic, Persian, and Indian, while this novel set in Hindustan represents a culture clash between two of those three as a Muslim emperor rules a predominantly Hindu land. However the idea that this is another Scheherazade story matters because the characters and events are slightly larger than life. We are, after all, talking about a beautiful Muslim princess along with the course of an empire.

There was a point in the narrative where I found myself questioning that Jahanara's parents would ever marry their beloved daughter to such a wretched soul as Khondair. A reason was given, but the validity of it was implicit at best and it was only when it dawned on me that this is a tale writ as large as Aladdin and Ali Baba that I realized history and realism were not the standards by which "Beneath a Marble Sky" is to be judged. This is an epic romance even if it is told in deeply intimate terms and while it is not a fantasy it is touched by the exotic, which tempers fidelity to the history around which Shors has crafted his own work.

Final Notes: First, I noticed one of the best web sites devoted to the Taj Mahal mentions this book. It should, because it is going to inspire a lot of people to go to Agar. Maybe not as many as are currently heading to New Zealand to visit Middle Earth, but a sizeable number nonetheless. Second, I have to wonder what in the world John Shors will write next after this one. Where does he go from here? It will be interesting to find out and there will be a lot of people looking forward to that next book after reading "Beneath a Marble Sky."

Exotic, Erotic, Exemplary Prose Bathing Historical Fiction
John Shors has the gift. It is as simple as that. In BENEATH A MARBLE SKY he has created a stunning love story woven through the interstices of the 16th century Hindustani building of the Taj Mahal, one of the Seven Wonders of the world, a place on earth where Paradise touches mortals in a magnificent mausoleum for the beloved wife of the Emperor. Not only is this a symphonic novel of surpassing craftsmanship and beauty, it is also a book that informs the reader about the differences between Muslim and Hindu religions, about the Persian Empire, about customs of caste, of worldviews, of architecture, and of the myriad flavors of a land too few of us understand.

Told in the words of one Princess Jahanara, the beautiful daughter of the Mughal emperor Shah Jahan whose grief for the loss of his wife Arjumand - the Mumtaz ('taz' becoming 'Taj') Mahal - during childbirth results in his pledge to create the most beautiful mausoleum for his beloved's rest, the story unravels the many tangles of the royal family including the disparate brothers Dara and Aurangzeb, and eventually leads to a dangerous liaison between Jahanara (married to a loathsome beast) and Isa, the architect for the Taj Mahal.

Shors paces this complex story so well that it seems far shorter than the near 350 pages - and it impossible to put the book down once begun. Part of the glory of Shors' writing is his obvious research into the history, the customs, the idiosyncrasies of royalty, the social systems of the times, and even the flavors of the spices and foods and the colors and types of clothing that drape this novel in unforgettable tapestry. His characters are painted with vibrant tones and his narration breathes the exotic tenor of the times about which he writes. Few authors have been able to describe the mysteries of the actual Taj Mahal with the accuracy Shors is capable of producing. Yet the overwhelming effect of this novel is not that it recreates history: this novel transports the reader to a time when life was much different - and yet much the same as today!

There are many reasons to select books to read. Selecting BENEATH A MARBLE SKY celebrates our intellect, our passion, our need for knowledge of the past, and our luxuriating in brilliant prose. Highly recommended on every level. Grady Harp, September 06