Pride and Glory
|
| List Price: | $14.98 |
| Price: | $8.99 & eligible for FREE Super Saver Shipping on orders over $25. Details |
Availability: Usually ships in 24 hours
Ships from and sold by Amazon.com
120 new or used available from $1.55
Average customer review:Product Description
Edward Norton, Colin Farrell, Jon Voight and Noah Emmerich star in a gritty, tension-packed tale of a multigenerational family of cops facing hard realities and tough choices. Set and filmed in Manhattan's Washington Heights, Pride and Glory draws you into a grippingly raw real world...and into a house divided.
Product Details
- Amazon Sales Rank: #6566 in DVD
- Brand: Warner Brothers
- Released on: 2009-01-27
- Rating: R (Restricted)
- Aspect ratio: 1.33:1
- Formats: Color, DVD, Widescreen, NTSC
- Original language: English
- Number of discs: 1
- Running time: 130 minutes
Features
- Edward Norton, Colin Farrell, Jon Voight and Noah Emmerich star in a gritty, tension-packed tale of a multigenerational family of cops facing hard realities and tough choices. Set and filmed in Manhattan's Washington Heights, Pride and Glory draws you into a grippingly raw real world.and into a house divided.Running Time: 125 min. Format: DVD MOVIE Genre: DRAMA Rating: R Age:&n
Editorial Reviews
Amazon.com
Like a forgotten, one-and-only season of a 1980s television show about an Irish-American family of cops, Pride and Glory is full of ambition but lacks the storytelling instinct to realize the goal. Edward Norton stars as Ray Tierney, a New York City police detective whose father, Francis Sr. (Jon Voight), boss of all Manhattan detectives, pressures him into investigating the murder of four officers. Ray's efforts uncover a corruption scandal centered around his brother-in-law, Jimmy (Colin Farrell), a beat cop whose commander happens to be, of course, Ray's brother, Francis Jr. (Noah Emmerich). As Ray pushes forward, Jimmy's self-protective instinct goes savage, and the rest of the Tierney males shift to cover-up mode. Co-writers Joe Carnahan (Narc) and Gavin O'Connor (Miracle), who also directs this film, make a fatal mistake by forcing every element in a long story to further a prefabricated narrative shape, leading to the conclusion they want. But they can't pull it off without awkward transitions and bridges, including the perfunctory inclusion of an intrepid reporter who conveniently breezes in and out of the movie long enough to explain Ray's back story aloud. A monstrous scene involving Farrell holding a steaming iron (prop or not) over a baby's face is inexcusable. --Tom Keogh



