Product Description

The text of each poem is given in letterpress on the page facing the color plate, and a brief commentary by Sir Geoffrey Keynes on each poem follows. It is printed on paper especially manufactured to match the tint of that used by Blake.

Product Details

• Amazon Sales Rank: #338982 in Books
• Published on: 1977-10-27
• Original language: English
• Number of items: 1
• Binding: Paperback
• 226 pages

Review
Masterpieces of English lyric poetry, written and illustrated by William Blake. Songs of Innocence, published in 1789, was Blake's first great demonstration of "illuminated printing," his unique technique of publishing both text and hand-colored illustration together. The rhythmic subtlety and delicate beauty of both his lyrics and his designs created rare harmony on his pages. The poems transformed his era's street ballads and rhymes for children into some of the purest lyrics in the English language. In 1794 Blake published Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul. It contained a slightly rearranged version of Songs of Innocence with the addition of Songs of Experience. The poems reflect Blake's views that experience brings the individual into conflict with rules, moralism, and repression; as a result, the songs of experience are bitter, ironic replies to those of the earlier volume. The Lamb is the key symbol of Innocence; in Experience its rival image is the Tyger, the embodiment of energy, strength, lust, and aggression. See also THE TYGER. -- The Merriam-Webster Encyclopedia of Literature

Review
Blake's polarities as poet and artist are ... directly revealed. The illustrative ingenuousness and sweetness of Songs belie the explosive lyricism that girds these poems.
(Leonard Baskin The Washington Times )

Part of the pleasure of this lovely volume results from Andrew Lincoln's intel-ligent introduction and commentary.... But the greatest pleasure by far is the color reproduction itself.... One of the most beautiful and finely finished copies we have.
(Irene Tayler Blake: An Illustrated Quarterly )

It is a very strong light indeed that comes from these quarto volumes. They reproduce, plate by plate, Blake's hand-lettered verses and colored illustrations. . . . These illuminated books, masterpieces of the book maker's art, answer critical questions, especially about the poet's late, recondite allegories. They remind the poetry scholar that his Blake was first a visual artist, indebted to Raphael and Michelangelo, and second a writer beholden to Spenser and Milton. . . . The greatest contribution of the Princeton facsimiles is that they have made Milton and Jerusalem accessible in the only form Blake ever wished to present them.
(Daniel Mark Epstein New Criterion )

From the Publisher
Imaged from The Lessing J. Rosenwald Collection, Library of Congress

Customer Reviews

Blake's most popular illuminated works in a fine edition
These are Blake's most popular and accessible works, by far. The poems combined with the wonderful drawings make powerful and memorable statements that stay in your heart and mind. Several, such as "The Tyger", "The Chimney Sweeper", and "London", are very well known. Each of us has our own personal favorites and love turning to them again and again.

One of issues in buying an edition of these works is that they exist in a variety of colorings, and orders. I would recommend this edition for several reasons. The selection of the King's College Copy is one of the most uniformly delightful or the copies Blake (or his wife) colored. Also, the reproduction is of very high quality. Each plate is on a right hand page with the text in print on the left hand page (in case you have problem reading the plate). Even thought the book is in a large format, the plates are reproduced in their actual size (which is surprisingly modest).

There are also a dozen plates provided from other editions. However, I would recommend that you pick up other editions based on other copies. The variety of schemes Blake used in coloring the plates is quite interesting and, well, illuminating.

The second half of the book is commentary on the 54 plates of this copy. There is an introductory essay and a list of works cited in the commentary.

It really is a beautiful reproduction and a joy to have on my shelf.

Great Edition of Blake
I was recently lucky to see the Gutenburg to Gone With the Wind Exhibit in Austin, Texas recently. At that marvelous exhibit I got to see one of Blake's original editions of Songs of Innocence. After that, I (of course) had to find a copy with the amazing poems and the amazing artwork by Blake. This edition satisfied both criteria well. First of all, the poems are brilliant. Everybody has read such works as "Little Boy Lost," "Little Boy Found," "The Shepherd," "The Lamb," and "The Tyger." These poems are just as good as they are made out to be. Each poem is excrutiatingly simple (in the style of children's verse), and each has such depth. The artwork is all in this edition, too, and it is fabulous. The colors are exactly like those of Blake's. I really think that the poems should never be read without Blake's engravings. This is a marvelous book for poetry lovers to own. It is high quality and affordable. Any fan of Blake's should own this book.

A must have!
I recommend that any fan of William Blake buy this volume and the other 5 in the series. The books are beautiful, large, and handsomely bound. Each book is reproduced in full color, using a six-color printing process rather than the standard four. The pages are heavy, opaque and have a gorgous lustre indicating very high quality paper. The text of each book accompanies the color reproductions in standard typeface with very competent commentary to boot.