Product Description

Drawing upon her long career as a formidable feminist critic yet wearing her knowledge lightly, Lillian Robinson finds the essence of wonder women in our non-animated three-dimensional world. This book will delight and provoke anyone interested in the history of feminism or the importance of comics in contemporary life.

Product Details

• Amazon Sales Rank: #731046 in Books
• Published on: 2004-03-03
• Original language: English
• Number of items: 1
• Binding: Paperback
• 168 pages

Review
But as Robinson's astute criticism demonstrates, we can take hope that through thoughtful, cumulative, and playful scholarship (as in witty and ironic) we can learn from the postmodern gaps, and their sources, and can fill the ourselves.
–Shelley Armitage, University of Texas, El Paso, Tulsa Studies in Women's Literature

But as Robinsons astute criticism demonstrates, we can take hope that through thoughtful, cumulative, and playful scholarship (as in witty and ironic) we can learn from the postmodern gaps, and their sources, and can fill the ourselves.
–Shelley Armitage, University of Texas, El Paso, Tulsa Studies in Womens Literature

Robinson has made a study of the female superhero that is both enjoyable and seriously relevant to contemporary concerns about power and image.
–Marian Parish, Nassau Community College, Science Fiction Studies

Robinson provides an insightful cultural critique of the production of heroines.
–Shannon Devine, Herizons, Winter 2005

This book solidifies Lillian Robinson's place in that small pantheon of scholars who deserve to be recognized as feminist superheroes in their own right. No feminist scholar in our time has tackled the range of diverse topics that Robinson has, and Wonder Women extends that range even further. Robinson probes the meanings of Wonder Woman, her sisters, and their ordinary avatars with her trademark wit and élan, brilliantly situating this relatively neglected chapter of popular culture in contexts that include Greek myths, social and political history, literature, economics, art history, media studies, gender studies, and postmodern theory. Bravo for this engaging, imaginative, and beautifully-written tour de force!.
–Shelley Fisher Fishkin, Stanford University

This book solidifies Lillian Robinsons place in that small pantheon of scholars who deserve to be recognized as feminist superheroes in their own right. No feminist scholar in our time has tackled the range of diverse topics that Robinson has, and Wonder Women extends that range even further. Robinson probes the meanings of Wonder Woman, her sisters, and their ordinary avatars with her trademark wit and élan, brilliantly situating this relatively neglected chapter of popular culture in contexts that include Greek myths, social and political history, literature, economics, art history, media studies, gender studies, and postmodern theory. Bravo for this engaging, imaginative, and beautifully-written tour de force!.
–Shelley Fisher Fishkin, Stanford University

About the Author
Lillian Robinson is Principal of the Simone de Beauvoir Institute at Concordia University in Montreal. Among her books are Monstrous Regiment, Sex, Class, and Culture, and Night Market..

Customer Reviews

Rare moments of insight
"Wonder Women" by Lillian S. Robinson is a well-written book that, in the end, serves to alert us to the fact that feminist superheroines remain an almost nonexistent subject matter in the mainstream American comic book world. Stretching personal anecdotes, Greek mythology, and humorous side comments over the thin frame of her subject matter, at times the book strikes the reader as being little more than an exercise in intellectual self-indulgence. In fact, the author concedes that she penned "Wonder Women" in part as a distraction while she was writing a more serious and emotionally demanding piece of scholarship about rape. Nevertheless, I found that the book did succeed at times in providing rare moments of insight into a little-noted corner of the cultural studies world.

It was interesting to learn about the creator of Wonder Woman and his feminist ideals but disheartening to read about the comic's rapid decline in the hands of his successors. But while the feminist movement resulted in the revival of the character in the 1970s, the overall impression one gets is that Wonder Woman and mainstream comics in general remain perpetually stuck many years behind the real world in their depictions of female characters.

On that point, the author might have done well to follow the example set by Sherrie A. Inness (whose study of female action figures is published in the book "Action Chicks") who has found that risk-averse corporate marketing practices and parental anxieties about sex have conspired to make the toy store an overwhelmingly culturally conservative space that responds very slowly to cultural change. Might there be a similar dynamic at work in the comic publishing industry? We don't know, because on the one hand Ms. Robinson's book is conspicuously deficient in its failure to seriously discuss industrial practices and audience discourses; while on the other hand, we are treated to far too many of her cloyingly personal and random thoughts to engage in more meaningful analysis.

Still, "Wonder Women" has many fine moments that make for a worthwhile read. I recommend the book to all readers who may be intrigued by its quirky fusion of comic book culture with feminism.

Analyze what you know
"Wonder Women" would have been a very interesting book, had Robinson actually known the superhero comics which she attempts to analyze. Unfortunately, she doesn't -- she claims that a superhero's secret identity is not the superheroic one, but the one in plain clothes with a regular job. No, it's the other way around. She thinks that the Fantastic Four and nearly all other superheroes in the Marvel universe are mutants, when the idea of mutants as a well-defined minority is one of the cornerstones of that world. She claims that DC Comics's landmark crossover Crisis of Infinite Earths established a set of parallel realities in the company's stories, when the point of Crisis was to remove those parallel realities. Add to this a very aggressive attitude to just about anyone else who has ever written on the topic (especially Trina Robinson), and a tendency to wax poetic on her own short time as a comic reader in the forties, and it becomes surprising that the book manages to be interesting at times. It does manage that, but it could have been so, so much more.

a delightful and critical read
Rather than being merely celebratory, this book offers a nuanced - yet very accessible - feminist analysis of Wonder Woman. Framed as both a historical and contemporary icon, the Amazon princess represents many of the promises and limitations associated with strong and sexy female bodies in mass culture. Robinson's text demonstrates how Wonder Woman both mirrors and departs from ancient myths featuring powerful amazons and goddesses. The author shows us how such extraordinary female figures continue to haunt contemporary culture in different forms.

This book shows us how an analysis of comic book heroines (Wonder Woman, She-Hulk, Invisible Woman, and Elektra, for example) can contribute to ongoing discussions of women's (and girl's) "place" in our society, and is relevant to contemporary gender issues.

This makes Wonder Women not just a fun read, but a smart, witty, lively and engaging MUST-read.