Product Description

Product Details

• Amazon Sales Rank: #38272 in Books
• Published on: 2007-04-17
• Released on: 2007-04-17
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 250 pages

From Publishers Weekly
Award-winning Norwegian novelist Petterson renders the meditations of Trond Sander, a man nearing 70, dwelling in self-imposed exile at the eastern edge of Norway in a primitive cabin. Trond's peaceful existence is interrupted by a meeting with his only neighbor, who seems familiar. The meeting pries loose a memory from a summer day in 1948 when Trond's friend Jon suggests they go out and steal horses. That distant summer is transformative for Trond as he reflects on the fragility of life while discovering secrets about his father's wartime activities. The past also looms in the present: Trond realizes that his neighbor, Lars, is Jon's younger brother, who "pulls aside the fifty years with a lightness that seems almost indecent." Trond becomes immersed in his memory, recalling that summer that shaped the course of his life while, in the present, Trond and Lars prepare for the winter, allowing Petterson to dabble in parallels both bold and subtle. Petterson coaxes out of Trond's reticent, deliberate narration a story as vast as the Norwegian tundra. (June)
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From Bookmarks Magazine
Per Petterson's tale of love, forgiveness, and the nature of evil has already swept up four prestigious literary awards: two notable prizes in Norway, the Independent (UK) Foreign Fiction Prize, and the International IMPAC Dublin Literary Award. This perceptive, poignant novel blends the exhilaration of youth and the impassive recollections of old age with subtle plotting and biting observations on the question of fate versus free will. Critics differed over Petterson's prose: some found it lackluster, while others thought its simplicity and frankness cleverly captured Trond's voice. The Minneapolis Star Tribune also took issue with Petterson's bland female characters. However, Petterson's unforgettable portrait of a man trying to come to terms with his past will linger long after the last page.
Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
*Starred Review* Three years after his wife's accidental death, Trond Sander, 67, settles into an isolated cabin near Norway's southeastern border with Sweden. It's where he last saw his father at the end of summer 1948. Then 15 and full grown, Trond helped harvest the timber—too early, perhaps, but necessarily, it came to seem later. He also suddenly lost his local best friend, Jon, when, after an early morning spent "stealing horses"—that is, taking an equine joyride—Jon inadvertently allowed a gun accident that killed one of his 10-year-old twin brothers and guiltily ran away to sea. When that summer was over, Trond went back to Oslo, but his father stayed with Jon's mother, his lover since they met in the Resistance during World War II. Segueing with aplomb between his present and past, Trond's own narration is literarily distinguished, arguably to a fault; would a businessman, even one who loves Dickens, write this well? The novel's incidents and lush but precise descriptions of forest and river, rain and snow, sunlight and night skies are on a par with those of Cather, Steinbeck, Berry, and Hemingway, and its emotional force and flavor are equivalent to what those authors can deliver, too. Olson, Ray

Customer Reviews

Memory and Essence
This book is the deserved winner of various prestigious literary awards, and has received considerable critical acclaim as an important work of literature. Translated from Norwegian, the prose is simple although a bit sparse, but both the piecemeal unfolding of the story and the abrupt chronological changes complicate Petterson's novel. The narrative begins in November of 1999, and is told in first person by 67 year old Trond, who has just isolated himself in a remote forest village in Norway where he plans to live out the rest of the years alloted him.

After the first twelve pages, in which he does not divulge a whole lot about himself, Trond begins relating an incident from 1948 when he was fifteen, and so he continues switching back and forth from the last months of 1999 to a period ranging from 1948 to 1942. The major part of the novel takes place during this latter time span. Because of the way that the narrative develops, I did not feel that I knew the whole story until I had read the very last line--"and we do decide for ourselves when it will hurt." This line first appears in the second chapter and runs like a refrain throughout the story. The episodes that Trond recalls in a rather elliptical fashion deal with formative events from his adolescence. During this period, he spent a summer with his father in a remote forest village in Norway, learned about his father's resistance activities during World War II, and suffered the loss of his father.

Outside of his memories from this adolescent past, Trond tells the reader little about his life. The novel as a whole, however, is extremely powerful. Upon finishing the book, I found it completely logical that a man in the last stages of his life would reflect back upon a time when his identity was formed. Trond's selective memories are inextricable from the essence of the person he has become. Whether he has turned out to be the hero of his own life, the pages of Trond's story (like the pages of David Copperfield's story) must show!

Lyrical memories of war and betrayal
This is one of the best novels to come out of Scandinavia in recent years. Written from the point of view of a 70-year old man reflecting on the time he spent with his father near the Swedish border during the Second World War, the narrative present of the novel alternates back and forth between his current solitude and his adolescent confusion over his father's wartime activities. The novel is enormously sad and haunting, and the language beautifully simple and evocative.

Excellent book
Petterson has crafted a finely written and imagery-laden book in which the relationship between setting and personality is truly symbiotic. I found the book engrossing without the slightest hint of emotional sensationalism or intellectual posturing. Instead the narrator (Trond) comes across as painfully real, and the use of flashbacks and back story are integral to the entire narrative, not a simple plot device. Trond is a memorable, relatable character who in his youth experiences changes that cast a long shadow far into his adulthood. The writing maintains an excellence throughout rarely encountered in contemporary lit, and Petterson discloses a fine ear for dialogue and a strong yet subtle sense of narrative movement. One of the best novels out of Scandinavia in years.