Product Description

The 1850s were heady times in Concord, Massachusetts: in a town where a woman's petticoat drying on an outdoor line was enough to elicit scandal, some of the greatest minds of our nation's history were gathering in three of its wooden houses to establish a major American literary movement. The Transcendentalists, as these thinkers came to be called, challenged the norms of American society with essays, novels, and treatises whose beautifully rendered prose and groundbreaking assertions still resonate with readers today. Though noted contemporary author Susan Cheever stands in awe of the monumental achievements of such writers as Ralph Waldo Emerson, Henry David Thoreau, Nathaniel Hawthorne, Herman Melville, and Louisa May Alcott, her personal, evocative narrative removes these figures from their dusty pedestals and provides a lively account of their longings, jealousies, and indiscretions. Thus, Cheever reminds us that the passion of Concord's ambitious and temperamental resident geniuses was by no means confined to the page....

Product Details

• Amazon Sales Rank: #26248 in Books
• Published on: 2007-09-18
• Number of items: 1
• Binding: Paperback
• 240 pages

From Publishers Weekly
This beguiling book is Cheever's exploration of the extraordinary cross-fertilization of creativity in Concord, Mass., during the mid-19th century, when Emerson, Thoreau, Hawthorne and the Alcotts lived as neighbors there. If it won't offer much new information for serious students of American literature, it does provide a lively and insightful introduction to the personalities and achievements of the men and women who were seminal figures in America's literary renaissance, and who, Cheever theorizes, influenced the social activism of succeeding generations. In episodic chapters, Cheever describes their entwined relationships. Margaret Fuller was their brilliant, free-spirited muse and a model for Hester Prynne. Louisa May Alcott, was forced to support her family because her feckless father, Bronson, had no intention of doing so. Herman Melville briefly entered the enchanted circle through his friendship with Hawthorne. Cheever touches on their love affairs and intellectual platonic attractions, their high-minded idealism, their personal losses, their intermittent misunderstandings and jealousies, the years of penury suffered by all except Emerson and their full-fledged tragedies—such as Margaret Fuller's drowning. While Cheever sometimes indulges in high-flown speculation about their personal lives, she keenly analyzes the positive and negative ways they influenced one another's ideas and beliefs and the literature that came out of "this sudden outbreak of genius." 8 pages of photos. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From AudioFile
The Transcendentalist writers and thinkers who lived around Concord, Massachusetts, in the mid-nineteenth century affected each other as much as they influenced American culture. Louisa May Alcott loved Henry David Thoreau, for example, and Ralph Waldo Emerson helped support Nathaniel Hawthorne, whose wife, Sophia, was sister to Ralph's wife, Lydian, who was Nathaniel's first love. Does this sound like a soap opera? Well, in Susan Cheever's AMERICAN BLOOMSBURY it is, but for anyone interested in American history and letters, it is also enlightening. Kate Reading handles the complications expertly. Admittedly, her well-articulated contralto sounds a bit stiff and considered at first, but she soon warms to the plot and helps us navigate the story's many points of view beautifully. A.C.S. © AudioFile 2007, Portland, Maine-- Copyright © AudioFile, Portland, Maine

From Booklist
A request to write a new introduction to Louisa May Alcott's Little Women, writes novelist and memoirist Cheever, inspired her to explore the literary atmosphere of Alcott's childhood. A daughter of one of the free spirits intellectually supported and financially subsidized by Ralph Waldo Emerson, Louisa intermittently lived in Concord, Massachusetts, where Cheever sets her intimate narratives. She explores the interpersonal relationships linking the prospectively famous writers Emerson drew in. In the transcendentalist florescence of the 1840s and 1850s, the aspirant writers tried out their ideas and idealism in conversation at Emerson's house, alongside Concord's roads, or afloat on its creeks. Moving among descriptions of such haunts, Cheever constructs a many-layered contemplation of this distinctive collection of American literary icons in their formative periods, and encompasses day-to-day events and the character of their attractions, as between a married Emerson and Margaret Fuller, whom Emerson lodged in his house. Emotionally warm and critically engaged, Cheever's history successfully evokes the incubation of Concord's literary glory. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Customer Reviews

An intriguing imaginative reconstruction of the intersecting lives of transcendentalists in Concord
This book has a lot to recommend it as an introduction to several brilliant individuals whose lives crossed paths in Concord, Massachusetts between about 1840 and 1870. It is an enjoyable, easy read -- with very short chapters that are organized around themes and encounters rather than strict chronology. The book brings these characters to life, reading between the lines of letters, books and journals to capture their unspoken thoughts and feelings for each other. It shows how the lives and thoughts of these thinkers, who rarely mention one another or acknowledge their debts to each other in their published works, are deeply intertwined. It also makes a serious effort to take them out of "ancient" history and show how their concerns and conceptions are not so far away from our own.

It is this concern, however, to show the relevance of the lives of people like Thoreau, Emerson, Fuller, Hawthorne, Bronson and Louisa Alcott, that also accounts for several of the major weaknesses of the book. Ms. Cheever tries so hard to show that these individuals are just like us that the book reads almost like tabloid journalism -- especially in the first several chapters. I was reminded several times as I read the book of Goethe's maxim that "no one is a hero to his valet" -- that from a certain perspective even the most distinctive individuals look like ordinary folk who have passions and drives and needs and just happen to be in the right place at the right time. Only rarely does the book give a hint at what makes these individuals remarkable -- although the author is obviously fascinated by them, her descriptions of them make them seem just like peculiar and idiosyncratic folk with a sense of grandeur and peculiar ideas that made them stand out against the norm but not much more. I never got a clear sense from the book of how the ideas of these thinkers connect with their lives, and the book never gives a clear sense of what their ideas were beyond very superficial descriptions. The account of Emerson suggests again and again that apart from being charismatic and a clever writer, his most important contribution was to have inherited enough money from his first marriage to enable him to be generous with the others and create a community around him. I never saw any indication that Cheever had any idea how powerful and radical Emerson's thought really was. (Her suggestion that Thoreau and the rest of the transcendentalists were leeches on Emerson is one of many examples where Cheever chooses which of the many existing rumors to believe and report as if it were fact rather than making sure it is -- at least in the case of Thoreau, this rumor is clearly false -- as Walter Harding has shown in his excellent biography, Thoreau was very careful not to owe anything and worked hard in his father's pencil factory or later in life at surveying or even manual labor to take care of his needs, and even made sure to pay rent when he was living in his parents' house as a boarder, and had agreed with Emerson to do work around the house in exchange for room and board when he lived with him).

Part of the problem is that Ms. Cheever can't seem to decide whether she wants to write a tabloid style expose of the love lives of the Concord geniuses, or a popular history, or a personal account of her own fascination with that history. In the last half of the book Ms. Cheever figures more and more prominently in the book -- her personal feelings and responses to the history begin to overwhelm that history. For example, she can have no sympathy whatsoever for (and no clear understanding of) the Concord thinkers' admiration for John Brown -- because she cannot understand why they would have seen him as anything else than what she sees him to be: a cold-hearted murderer, whose passionate ideals led to outrageous and insane actions. In the end, I think that the best way to describe this book is not as a genuine history, but as an imaginative attempt to tell the story of these characters that Ms. Cheever had come to love in a way that made sense of them to her. While there is value in such an approach, it should not be mistaken for an accurate history. As other reviewers note, she invents a great deal and reads a great deal into things that may not be there (e.g. Alcott's admiration for Thoreau and Emerson is read as her having fallen in love with her teacher and her father's friend). The book is also in need of some serious editing -- there are several parenthetical points or asides or statements of fact irrelevant to the paragraphs or chapters in which they are included. Several words are misused consistently throughout ("insure" is used when she means "ensure," for example).

I did enjoy reading this book quite a bit -- I'd read Emerson and Thoreau and read biographies of both, but had never read an account of all the remarkable people whose lives connected in Concord. It is a quick and easy read -- and gives a valuable shorthand version of the period that I will definitely want to flesh out by reading some of the other biographies and history that she relied upon and mentions in her notes at the end. Ms. Cheever obviously cares about the people she writes about -- and it would be hard to walk away from this volume without likewise caring.

Pleasant, gently informative reading
AMERICAN BLOOMSBURY is a study of the "genius cluster" centered in Concord, Massachusetts, 1835 - 1888, beginning with the arrival of Ralph Waldo Emerson and ending with the death of the last of the neighborhood's classic writers in the neighborhood. With the inheritance from a short-lived first wife from a wealthy family, Emerson largely supported friends like Nathaniel Hawthorne, Henry David Thoreau, the Alcott family and Margaret Fuller as they launched their careers. They shared Transcendentalism and a passion for intellectual pursuit. As in most close-knit communities, they had their intrigues, jealousies and fall-outs. The hope and beauty of a New England spring day is reflected in their early ambitions and again in their salutes to one another at the end of their lives. The themes they drew on, the events they witnessed at home and abroad, and the impact of the Civil War articulate the greater American experience of the 19th century.

Though I'm very familiar with the writers' works, I hadn't studied their lives closely and this was a good general introduction, often full of surprises. Cheever vividly evokes the personages and setting with a storyteller's skill. I did not realize how fully she developed them until I felt the pang of loss as their mortality set in. This is by no means exhaustive biography or history; in fact, Cheever moves through it rather breathlessly. Her style is intended for a very general audience, not an academic one.

The book is not perfect. Although she moves from 1835 to the last death, of Louisa May Alcott who is only a child at the outset, Cheever chooses to order her information around themes or events in their lives, which do not necessarily flow chronologically. She kind of swirls around and around as she moves through the 19th century. In one chapter, even one paragraph, she may bounce back and forth between several years. The coming of the railroad is experienced more than once, though from slightly different perspectives. Poor Margaret Fuller drowns at least 3 times. Sometimes you are left asking, now when exactly is this happening? Her chapters are quite short, 3 - 5 pages, which makes for a rather breakneck pace through the facts. She provides a time line, plenty of research notes and citations and an extensive bibliography at the back of the book that help answer questions that may arise.

What your textbook never told you!
Ms. Cheever makes you want to read...or perhaps reread and understand for the first time...the works of writers who shaped American thought and history.