Product Description

Set in the 1740's, early in the French and Indian wars, this book follows the adventures of Natty Bumppo, or Leatherstocking, as a young hunter of 20, of his friendship with the mohican Chingachook, and his blighted love affair with Judith Hutter.

Product Details

• Amazon Sales Rank: #469340 in Books
• Published on: 1996-11-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 576 pages

Features

• ISBN13: 9780140390612
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Library Journal
This novel, Cooper's last contribution to his five-volume "Leatherstocking Tales," introduces Natty Bumppo as a young frontiersman in early 18th-century New York and keeps him busy rescuing white women from Indians. Since Cooper actually wrote this book last in his series, one would expect it to be competently written. However, it's impossible to listen to it without thinking of Mark Twain's savage essay "Fenimore Cooper's Literary Offenses," in which he calls The Deerslayer a "literary delirium tremens." Very apt. The book takes forever to go nowhere, and its dialog is a tortuous blend of stilted literary English and wholly imaginary frontier dialect. Such imperfections may be passed over on the printed page, but they are impossible to ignore when given voice. Narrator Raymond Todd reads descriptive passages just fine, but no one can make Cooper's dialog sound like real speech. This is better left to print editions. Kent Rasmussen, Thousand Oaks, CA
Copyright 2002 Cahners Business Information, Inc.

Review
?James Fenimore Cooper was the first great American novelist.??A. B. Guthrie -- Review

Review
“James Fenimore Cooper was the first great American novelist.”—A. B. Guthrie

Customer Reviews

Natty: The early years..........
Cooper's final Leatherstocking Tale, The Deerslayer, depicts young Natty Bumppo on his first warpath with lifelong friend-to-be, Chingachgook. The story centers around a lake used as the chronologically subsequent setting for Cooper's first Leatherstocking Tale, The Pioneers. Tom Hutter lives on the lake with his daughters and it is here that Deerslayer (Bumppo) intends to meet Chingachgook to rescue Chingachgook's betrothed from a band of roving Iroquois. A desperate battle for control of the lake and it's immediate environs ensues and consumes the remainder of the story.

Throughout this ultimate Leatherstocking Tale, Cooper provides Natty much to postulate upon. Seemingly desiring a comprehensive finality to the philosophy of Bumppo, Cooper has Natty "speechify" in The Deerslayer more so than in any other book, though the character could hardly be considered laconic in any. Though the reason for this is obvious and expected (it is, after all, Cooper's last book of the series), it still detracts a tad from the pace of the story as Natty picks some highly inappropriate moments within the plot to elaborate his position. And, thus, somewhat incongruently, Cooper is forced to award accumulated wisdom to Bummpo at the beginning of his career rather than have him achieve it through chronological accrual.

All things considered, however, The Deerslayer is not remarkably less fun than any other Leatherstalking Tale and deserves a similar rating. Thus, I award The Deerslayer 4+ stars and the entire Leatherstocking Tales series, one of the better examples of historical fiction of the romantic style, the ultimate rating of 5. It was well worth my time.

Not Cooper's Best Effort....
Had "Deerslayer" been James Fenimore Cooper's first "Leatherstocking" tale -- who knows? Maybe it would have been his last! But his mythic hero, Nathaniel Bumppo (a.k.a. Natty, Deerslayer, The Long Carrabine, Hawkeye, et. al.)had such a mid-19th Century following that Cooper was practically guaranteed an eager, receptive audience for his tales.

I won't say straight out that "Deerslayer" is a terrible book. If nothing else, Donald Pease's introductory essay informs us of several plot complexities that are intertwined with Cooper's personal life, such as the re-invention of Natty Bumppo to buttress and justiry Cooper's real-life legal property claims. But, if "Deerslayer" is not a terrible book, it is for hundreds of pages something less than scintillating. Why? I think it comes down to this. Patient readers can endure quite a lot of moralizing, or wide swaths of verbosity. But put the two together and it's hard to endure.

The story takes place on Cooper's real-life ancestral home, Lake Otsego in mid-upstate New York (my friends tell me the pronunciation is "Otsaga" with a short "a") where we first encounter a youthful Natty Bumppo and his unlikely fellow traveler, Harry "Hurry" March, an indestructible, Paul Bunyonesque figure whose credo can be summarized as "might makes right." Natty (given the sobriquet, Deerslayer, by his adopted Delaware tribe) has arrived at the lake to join his companion, Chingachgook, (the "Serpant"), in his quest to liberate his future bride, Wah-ta-Wah, who was kidnapped by a band of Huron Indians. Harry March has come to the lake to capture the heart of Judith Hutter, who along with her father, Thomas, and simple-minded sister, Hetty, live on the lake, occupying either a floating ark or a fortress-like structure built upon the lake.

Eventually, the Hutters are surrounded by dozens of fierce Huron warriors, who are on the warpath during the opening days of the mid-18th Century French & Indian Wars. Seemingly, it was all there for Cooper to capitalize on: just a handful of isolated white settlers, whose only protection from scalp-seeking, torture-minded skulking Hurons is a crank sailing craft or a lake home on stilts. But Cooper rejects his own dramatic setting to stage a morality play, and a heavy-handed one at that.

A word about the Hutter sisters. Diametrically opposed siblings are at least as old as the Bible, and Cooper employed them in several novels, including "The Last of the Mohicans" and "The Spy" (far superior works than "Deerslayer".) Hetty is Cooper's example of purity and innocence, but we can leave her to the Hurons, who display an admirable level of respect and reverence for the frail-minded girl. I suspect she would have fared much better in the hands of so-called savages than in the typical 18th Century colonial settlement. It is her vain, beautiful and high-tempered older sister, Judith, whose character is of more interest, and requires in my opinion a little rehabilitation.

It is never made explicit by Cooper (no doubt it would have scandalized his audience) but I think it's fair to say that Judith Hutter -- much to her regret later on -- granted her last favors to at least one colonial British officer (maybe several.) And, if this is a mis-reading of the text, she most certainly did "something" to set the colonial tongues a wagging. Whatever her "failings", they would not be recognized as such by modern day readers (perhaps her vanity and self-centeredness would go unnoticed as well.) There was, however, little tolerance for a Judith Hutter in the 18th Century, and Cooper would have never permitted Natty Bumppo -- young, virginal and selfless -- to fall in love with this high-spirited young woman. (Besides, it would not have chronologically tied in with his future exploits.)

But I'm not entirely convinced. Judith Hutter possesses several admirable traits, not the least of which is intelligence, bravery and a certain loving devotion to her frail sister. She also recognizes Natty Bumppo's virtues, as well as her own faults, and is more than willing to embrace the former and cast off the latter. Her love for Natty is obvious for hundreds of pages, but somehow he doesn't quite get it! In the end, the girl must swallow her pride and make explicit what even modern day women would find nearly unthinkable -- she makes an outright marriage proposal. Alas, Natty Bumppo is simply "too good" for her.

To use a modern day expression, Cooper is over the top with the virtuous Natty Bumppo. At some point, self-abnegation is just another form of narcissism -- only more complex than the garden variety of narcissism possessed by Judith Hutter (and other mere mortals.) In his introductory essay, Donald Pease points out that the rejection of Judith Hutter balances the brutal rejection Natty Bumppo receives at the hands of Mabel Dunham in an earlier Leatherstocking tale, "The Pathfinder". Maybe. But consider this. To honor his parole from the Hurons, Natty Bumppo chooses torture over Judith Hutter. And, ultimately, he chooses a famous rifle over her -- a gift she lovingly gives to him in recognition of how much he would appreciate such a weapon. It comes down to this: torture and guns over Judith Hutter! Hmmm.... I'll leave that one for modern day psychologists.

I've given "Deerslayer" three stars because Cooper is, after all, one of our nation's early literary masters, and "Deerslayer" is not without its moments. There's a wonderful give-and-take scene between Natty Bumppo and the Huron Chief, Rivenoak, as they negotiate the release of Thomas Hutter and Harry March. (My advice to modern day corporations: don't bother with negotiation consultants -- save your money and read Chapter 14.) And for those who still believe in the right of every American to bear arms, take it from the author who created our nation's first true literary sharpshooter. There's a haunting, prescient admonishment about leaving loaded guns lying about the house (pages 219-220.)

Holds Your Interest!
"The Deerslayer" is the sequentially first in the Leatherstocking series of America's first, great, professional novelist, James Fenimore Cooper. I read it in preparation for a trip to Cooperstown, New York and I am glad that I did. Set in upstate New York in the 1740s, it provides the reader with an idolized introduction to the society of white and red of this colonial frontier.

The criticisms that the dialogue and actions are totally unbelievable, while justified, do not detract from the story. While the simple, faith-filled actions of the "Feeble Minded Hetty" and the dialogue between Deerslayer and Chingachgook seem highly improbable, the do hold the readers' interest. While I am generally not one to pick up readily on character development, this novel is an exception. The contrast between Deerslayer and Chingachgook, the romance between Chingachgook and Wah-ta-Wah, the romantic web among Judith, Hurry Harry and Deerslayer, and the varying responses to changes in circumstance coming from sisters Judith and Hetty all contribute to the persistent popularity of this work.

Despite all the criticisms directed against Cooper as to form, the one thing that cannot be denied is that this book is very difficult to put down. I found myself always wondering what would come next and what would happen to the characters whom I had come to know. Whether you are looking for an insight into early American literature or just a good story, your search should lead to "The Deerslayer".