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The Pilgrim Hawk: A Love Story (New York Review Books Classics)

The Pilgrim Hawk: A Love Story (New York Review Books Classics)
By Glenway Wescott

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Product Description

This powerful short novel describes the events of a single afternoon. Alwyn Towers, an American expatriate and sometime novelist, is staying with a friend outside of Paris, when a well-heeled, itinerant Irish couple drops in—with Lucy, their trained hawk, a restless, sullen, disturbingly totemic presence. Lunch is prepared, drink flows. A masquerade, at once harrowing and farcical, begins. A work of classical elegance and concision, The Pilgrim Hawk stands with Faulkner’s The Bear as one of the finest American short novels: a beautifully crafted story that is also a poignant evocation of the implacable power of love. "Truly a work of art, of the kind so rarely achieved or attempted nowadays." -- Christopher Isherwood


Product Details

  • Amazon Sales Rank: #164892 in Books
  • Published on: 2001-01
  • Released on: 2001-01-31
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 136 pages

Features


Editorial Reviews

About the Author
GLENWAY WESCOTT (1901-1987) was the author of the novels The Grandmothers and Apartment in Athens, in addition to several collections of stories and essays. His life—as revealed in his published journals and a joint biography of him and his lover, Monroe Wheeler—has been the subject of increasing interest in recent years.


Customer Reviews

Make Your Way to "The Pilgrim Hawk"5
A rediscovered classic currently being championed by Michael Cunningham (who wrote the introduction) and Susan Sontag (who wrote a lengthy New Yorker piece about it, as well as its forgotten author), this is a remarkably good short novel, full of wonderful writing and terrific perceptions. It's a thoughtful and profound study of the nature of marriage and attachments; I'm sure it's going to linger a great while in my memory. For those who care about serious fiction, this is well worth the time.

Upstairs, Downstairs in miniature5
This is an odd little book. The events take place in a single afternoon at the home of an American woman in France between the First and Second World Wars. The narrator, Alwyn Tower, and his hostess, Alexandra Henry, are visited by the Cullens, a middle-aged Irish couple. Mrs. Cullen has brought along her pet hawk Lucy whose presence dominates the remainder of the story (both symbolically and as another character). With its hood on, the hawk seems to represent the blindness of a class of wealthy internationals who live for food and fun, and who have made an uneasy peace with their captivity and lack of freedom.

Meanwhile, a trio of servants (Jean and Eva, the cooks; and Ricketts, the Cullens' chauffeur) plays yang to the aristocats' yin. For them, flirtation, jealousy, and passion are the defining mainstays of their existence. And they don't even need to turn to alcohol to release these life forces.

It's hard to know how seriously we are to take the narrator, a novelist twice failed in love. He is an astute observer and chronicler of the events, but his self-acknowledged failures as a writer certainly seem to justify the uncomfortable feelings he has toward Mrs. Cullen's captive carnivore. Although we know from page one that the Americans Alexandra and Alwyn would eventually return to America when tensions increase in Europe, at the novel's end it seems somewhat doubtful that either one will ever muster the energy needed to leave their perches in Alexandra's parlor.

This short novel has some of the biting class insights of Saki's better stories. Other than that, I find it hard to compare this book to any other I have ever read. Interesting in spite of and because of its brevity. Worth reading and rereading.

Crystalline beauty4
Westcott's short novel has been for years something of a cult work among novelists for its structural perfection. The interlocking erotic and sympathetic triangles among the characters, and the novel's complex explosion of the meaning of the eponymous peregrine (which is pushed as far as symbolic meanings go to the level of either Hawthorne's scarlet letter or James's golden bowl) is absolutely dazzling, and shows the tremednous talent within Westcott that never received its full due. However, the novel does remain somewhat chilly: it's hard to warm to any of the major characters, whose purposeful shallowness can seem somewhat off-putting.