Product Details
Alice Adams

Alice Adams
By Booth Tarkington

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Product Description

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.


Product Details

  • Amazon Sales Rank: #3114351 in Books
  • Published on: 2008-06-30
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 284 pages

Editorial Reviews

Review
"Over the pictures, the vases, the old brown plush rocking-chairs and the stool, over the three gilt chairs, over the new chintz-covered easy chair and the gray velure sofa over everything everywhere, was the familiar coating of smoke and grime... Yet here was not fault of housewifery; the curse could not be lifted, as the ingrained smudges permanent on the once white woodwork proved. The grime was perpetually renewed; scrubbing only ground it in." from the novel

About the Author

Booth Tarkington was born in Indianapolis in 1889. He was a consummate interpreter of the Hoosier scene and a conscious booster of his native state, as evidenced in his best-selling Penrod adventures, Seventeen, and The Gentleman from Indiana. He was also, however, a serious and highly regarded writer, winning the Pulitzer Prize for the Magnificent Ambersons and for Alice Adams.


Customer Reviews

"Poor little Alice" surprised me4
I disagree with the Amazon customer who claims there are no heroes in Alice Adams. The hero is of course the heroine herself. Alice is sweet and lively. Yes, she is overly concerned with the typical "girly" things, especially at the beginning of the book, but she shows promising growth and strength of character.

I have read a few other books by Booth Tarkington. I wouldn't put Alice Adams quite on the same level with The Magnificent Ambersons, but I liked it better than The Turmoil, which has an unconvincing happy ending. I got near the end of Alice Adams, and I started to dread the final chapter. I thought that there would either be another sappy, fake, happy ending, or it would be depressing. I was pleasantly surprised- it was neither!

This is an old fashioned book, of course. You can tell it was written in 1921 by the way African-Americans are spoken about. But that is a reality of the times.

The smell of boiling Brussels sprouts can dissolve any daydream.4
The growing pangs experienced by the United States during the first couple decades of the twentieth century provided the literary fodder for a whole new school of American authors. William Dean Howells, Sherwood Anderson, Ernest Poole, Theodore Dreiser and Henry James all added their comments regarding the dissolution of traditional American values by the rise of industrialization, capital accumulation, and the strengthening of a caste system based on wealth rather than on family name. Booth Tarkington treated this subject in his The Magnificent Ambersons, but added an interesting twist: the scene of this novel was not set in the large industrial and financial cities of the East, but in a mid-sized Midwestern city as if to demonstrate the pervasiveness of this social and cultural revolution.

With this novel, Tarkington takes his demonstration one step further by writing about a middle class household in that same mid-sized Midwestern city. The Adams family, although comfortable enough, is excluded from the exclusivity shared by those families that are bound together by either name or wealth. Alice Adams is particularly chagrinned by this fact and atempts to imitate the actions and tastes of this exclusive group but can only act out daydreams in which she achieves the happiness and love that she desperately seeks. When she finally meets Arthur Russell, an elibible bachelor who belongs to that exlusive group, and futhermore, has a genuine affection for Alice, she can only fabricate lies in which she hopes to raise her own social station in his eyes. It is these pitiful, but humorous, attempts that give the novel much of its life and brilliance.

Tarkington does a fine job in developing his characters: the romantic yet incorrigible Alice; her scheming and henpecking mother, who although acting for what she sees as Alice's own betterment, brings the family to ruin; her henpecked father who falls prey to his own duplicity and fanciful ambitions; and her brother who has sense enough to see through the banality of what Alice is trying to do, only to fall victim to his own weaknesses. Although this novel won Takington his second Pulitzer Prize, it is not as well known as The Magnificent Ambersons; however, it is in every way the earlier novel's equal. His depiction of middle class society during the 1920's is judicious, balancing satire with the author's own sympathetic treatment of character. The major highlight of the novel is Tarkington's brilliant description of the dinner at which the Adams family attempts to impress Arthur Russell, a scene which makes the reader simultaneously squirm and laugh out loud.

Without giving away the ending, let it be said that the 1940s Hollywood film of the novel did Tarkington an injustice in that the filmmakers, intent on pleasing a movie audience, completely missed the point of the novel.

Excellent Tarkington Novel4
One of the better Tarkington tales I've read. An upbeat and at times humorous story about a middle class family and their two early 20-year-old children ( one boy and one girl ). The girl, Alice Adams, is the focus of the story, as she struggles to be liked by the town's society folks. She doesn't have the social prestige nor the money to attract many beaus.

This leads to turmoil, and Mrs. Adams tells her husband to leave the mediocre paying job he's had all his life to start his own company so they can be rich and pay their children "advantages". He does this, after many trepidations, but the basis of his newfound business is a stolen glue formula from his previous employer. This ultimately leads to his demise.

There is a bit more to this story, but all in all, it is a story of class envy, snobbery, and greed. Tarkington's main point, however, seems to be that every dark tunnel of life ultimately has some other exit that inevatibly lead to light -- as even in the Adams's darkest hour their was hope yet.