Product Description

Trapped in a tower with no door, Rapunzel is allowed to see no one but the sorceress who has imprisoned her-until the day a young prince hears her singing to the forest birds. . . . The timeless tale of Rapunzel is vividly and magnificently brought to life through Paul O. Zelinsky's powerful sense of narrative and his stunning oil paintings.

"Simply put, this is a gorgeous book; it demonstrates respect for the traditions of painting and the fairy tale while at the same time adhering to a singular, wholly original, artistic vision." (The Horn Book, starred review)

Product Details

• Amazon Sales Rank: #30865 in Books
• Published on: 2002-10
• Original language: English
• Number of items: 1
• Binding: Paperback
• 48 pages

Features

• ISBN13: 9780142301937
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
In older versions of the classic tale Rapunzel, it always seemed improbable that a grown man could scale a tower using only his beloved's hair. Not so in Paul O. Zelinsky's Caldecott Medal-winning version of Rapunzel. Here, Rapunzel's reddish-blonde mane is thick with waves and braids, and cascades like a waterfall down the walls of her isolation tower. In Zelinsky's able hands it's easy to believe that a prince would harbor no hesitations about scrambling up our fair heroine's hair.

Of course, this is not the work of an amateur--Zelinsky's lush versions of Hansel and Gretel, Rumpelstiltskin, and Swamp Angel all earned him Caldecott Honors. His gorgeous, Italian Renaissance-styled illustrations are characterized by warm golden tones and the mesmerizing sensation of trompe l'oeuil. Not only does he have the touch of a world-class illustrator, Zelinsky has also proven himself a master storyteller. We are frightened when the sorceress demands to take the baby Rapunzel, we are alarmed when the flowing locks are cruelly shorn, and we rejoice when the prince and his now modest-haired love are reunited. The notes at the back of Rapunzel reveal his careful scholarship regarding the long history of the story (tracing its origins and transformations from Italy to France and finally to Germany and the Grimm brothers)--work that no doubt contributed to his clean, compelling version of the age-old tale. Children will be captivated by the magical story and evocative pictures and adults will delight in the fresh feel of a well-loved legend. (Click to see a sample spread. Illustration © 1997 by Paul O. Zelinsky, published by Dutton Children's Books, a division of Penguin Putnam Books for Young Readers.) (Ages 4 and older)

From Publishers Weekly
In our Best Book citation, PW said, "A breathtaking interpretation gives the fairy tale new art-historical roots, with illustrations that daringly-and effectively-mimic the masters of Italian Renaissance painting." Ages 5-up. (Oct.)
Copyright 2002 Reed Business Information, Inc.

From School Library Journal
Kindergarten-Grade 3. An elegant and sophisticated retelling that draws on early French and Italian versions of the tale. Masterful oil paintings capture the Renaissance setting and flesh out the tragic figures.
Copyright 1997 Reed Business Information, Inc.

Customer Reviews

The rare non-Disneyfied fairy tale
The winner of the Caldecott Medal, "Rapunzel" is one of the most lush and beautiful stories ever created for children. Carrying many of the distinctive Zelinsky elements (staggered perspectives, reoccurring background characters, gorgeous lighting, etc.) the book is a joy to look at. Each picture evokes the spirit of the Renaissance, from the first tableau (the husband and wife feeling her pregnant stomach in contentment) to the last (the loving family poses with the cherubim-like children). The text is a little more racy than your average children's picture book. Zelinsky doesn't shy away from the fact that Rapunzel is pregnant when the witch learns of her illicit relations, though he does legitimize the girl's newfound glow with a hasty "marriage" of the prince to Rapunzel in her tower. Sans priest, no less. The book is also remarkable for the dramatic shift that occurs in the character of the witch. A scowling ghoul in one picture, she transforms into an almost nunlike character when receiving the little Rapunzel baby. One might well ask what happens to the witch after she casts Rapunzel and her prince into the desert, but Zelinsky doesn't feel this is worth discussing. A perfect book for storytelling, as the pictures are colorful and easy to see from a distance. Would pair well with his other oil painted fairy tale "Rumplestiltskin".

No other description - Gorgeous!
This past weekend, our 3-1/2 year old daughter's grandparents came into town. Her Nonna told her a bedtime story about Rapunzel, a story she had not heard before. She was enchanted. Needless to say, Nonna went out the next day to buy a book and she came home with Paul Zelinsky's beautiful book.

I can't comment on the accuracy and literary side of the book - I'm not an expert on the original tale. However, the writing is wonderful; the story is an easy read with younger children. But clearly, the illustrations are what set this book apart. Many children's books use child-like pictures - but each page of this book is a new and different work of art. Detail and texturing worthy of an art gallery make this a pleasure to view as well as read. Highly recommended.

A wonderful retelling with masterful illustrations
Paul Zelinsky is not only an extraordinarily talented artist--he trusts his readers. Zelinsky doesn't shy away from the grimness in this Grimm tale, and lets us see Rapunzel's naivete, her captivity, and her castigation without blinking. This may be a little too strong for some little readers, but it is truer to the original Brothers Grimm story than many other versions of the Rapunzel story.

Zelinsky captures the tale beautifully with his meticulously detailed illustrations, moving with ease and skill from the sensuous wilderness of the witch's garden (where Rapunzel's father goes to gather up the herb rapunzel for his pregnant wife to eat) to the austerity of Rapunzel's tower room. Rapunzel and her lover are portrayed as clear-eyed yet star-crossed lovers, not as cardboard fairy tale inhabitants. Zelinsky does much to humanize this often horrifying tale. Highly recommended.