Product Description

All of O'Brian's strengths are on parade in this novel of action and intrigue, set partly in the treacherous, pirate-infested waters of the Red Sea. While Captain Aubrey worries about repairs to his ship, Stephen Maturin assumes the center stage, for his cunning is the sole bulwark against Napoleon's agents, who plot sabotage.

Product Details

• Amazon Sales Rank: #13430 in Books
• Published on: 1992-04-17
• Original language: English
• Number of items: 1
• Binding: Paperback
• 368 pages

Features

• ISBN13: 9780393308631
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Amazon.com Review
This segment of the Aubrey saga is set in Malta, where the captain's "small, sweet-sailing frigate" is undergoing repairs. The island, however, is swarming with Napoleonic agents, which means that Stephen Maturin must do everything in his power to avert sabotage. A typical O'Brian cocktail of action and intrigue.

From Publishers Weekly
This novel, the ninth installment of 20 in what is certainly the greatest series about the British Navy ever written--indeed, one of the most successful of its magnitude ever written in any genre--is not well served by its reader. Royal Shakespeare Company and National Theatre actor Pigott-Smith has an appropriately English accent, but his characters' voices lack consistency and sensitivity to the subtleties of O'Brian's pen. In this recording, the swashbuckling Captain Aubrey and the ironic, stealthy Stephen Maturin, his ship's surgeon, do not step onto the stage of the Napoleonic wars as the nuanced heroes O'Brian's readers have come to know over three decades. Pigott-Smith's Maturin lacks compassion; his Aubrey lacks intelligence. The narrative turns from nefarious intrigues in Malta to an amazing mission in the Red Sea and back again, but the drama is conveyed with neither satisfying variation of tempo nor ringing cadence. While O'Brian's devotees will find all the naval and historical details they usually delight in, they will despair at hearing how this production tramples upon his genius in portraying shockingly real characters in an utterly foreign, far-off time. Based on the Norton hardcover.

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Review
O'Brian's narrative...provides endlessly varying shocks and surprises--comic, grim, farcical and tragic. An essential of the truly gripping book for the narrative addict is the creation of a whole, solidly living world for the imagination to inhabit, and O'Brian does this with prodigal specificity and generosity. -- A. S. Byatt

O'Brian's narrative...provides endlessly varying shocks and surprises—comic, grim, farcical and tragic. An essential of the truly gripping book for the narrative addict is the creation of a whole, solidly living world for the imagination to inhabit, and O'Brian does this with prodigal specificity and generosity. (A. S. Byatt )

Splendid adventures...polished, historically accurate, and intensely pleasurable. (Kirkus Reviews )

Customer Reviews

Joint Review of Aubrey-Maturin Books
Some critics have referred to the Aubrey/Maturin books as one long novel united not only by their historical setting but also by the central plot element of the Aubrey/Maturin friendship. Having read these fine books over a period of several years, I decided to evaluate their cumulative integrity by reading them consecutively in order of publication over a period of a few weeks. This turned out to be a rewarding enterprise. For readers unfamiliar with these books, they describe the experiences of a Royal Navy officer and his close friend and traveling companion, a naval surgeon. The experiences cover a broad swath of the Napoleonic Wars and virtually the whole globe.
Rereading all the books confirmed that O'Brian is a superb writer and that his ability to evoke the past is outstanding. O'Brian has numerous gifts as a writer. He is the master of the long, careful description, and the short, telling episode. His ability to construct ingenious but creditable plots is first-rate, probably because he based much of the action of his books on actual events. For example, some of the episodes of Jack Aubrey's career are based on the life of the famous frigate captain, Lord Cochrane. O'Brian excels also in his depiction of characters. His ability to develop psychologically creditable characters through a combination of dialogue, comments by other characters, and description is tremendous. O'Brien's interest in psychology went well beyond normal character development, some books contain excellent case studies of anxiety, depression, and mania.
Reading O'Brien gives vivid view of the early 19th century. The historian Bernard Bailyn, writing of colonial America, stated once that the 18th century world was not only pre-industrial but also pre-humanitarian (paraphrase). This is true as well for the early 19th century depicted by O'Brien. The casual and invariable presence of violence, brutality, and death is a theme running through all the books. The constant threats to life are the product not only of natural forces beyond human control, particularly the weather and disease, but also of relative human indifference to suffering. There is nothing particularly romantic about the world O'Brien describes but it also a certain grim grandeur. O'Brien also shows the somewhat transitional nature of the early 19th century. The British Navy and its vessals were the apogee of what could be achieved by pre-industrial technology. This is true both of the technology itself and the social organization needed to produce and use the massive sailing vessals. Aubrey's navy is an organization reflecting its society; an order based on deference, rigid hierarchy, primitive notions of honor, favoritism, and very, very corrupt. At the same time, it was one of the largest and most effective bureaucracies in human history to that time. The nature of service exacted great penalities for failure in a particularly environment, and great success was rewarded greatly. In some ways, it was a ruthless meritocracy whose structure and success anticipates the great expansion of government power and capacity seen in the rest of the 19th century.
O'Brian is also the great writer about male friendship. There are important female characters in these books but since most of the action takes place at sea, male characters predominate. The friendship between Aubrey and Maturin is the central armature of the books and is a brilliant creation. The position of women in these books is ambiguous. There are sympathetic characters, notably Aubrey's long suffering wife. Other women figures, notably Maturin's wife, leave a less positive impression. On board ship, women tend to have a disruptive, even malign influence.
How did O'Brian manage to sustain his achievement over 20 books? Beyond his technical abilities as a writer and the instrinsic interest of the subject, O'Brien made a series of very intelligent choices. He has not one but two major protagonists. The contrasting but equally interesting figures of Aubrey and Maturin allowed O'Brien to a particularly rich opportunity to expose different facets of character development and to vary plots carefully. This is quite difficult and I'm not aware of any other writer who has been able to accomplish such sustained development of two major protagonists for such a prolonged period. O'Brian's use of his historical setting is very creative. The scenes and events in the books literally span the whole globe as Aubrey and Maturin encounter numerous cultures and societies. The naval setting allowed him also to introduce numerous new and interesting characters. O'Brian was able to make his stories attractive to many audiences. Several of these stories can be enjoyed as psychological novels, as adventure stories, as suspense novels, and even one as a legal thriller. O'Brian was also a very funny writer, successful at both broad, low humor, and sophisticated wit. Finally, O'Brian made efforts to link some of the books together. While a number are complete in themselves, others form components of extended, multi-book narratives. Desolation Island, Fortune of War, and The Surgeon's Mate are one such grouping. Treason's Harbor, The Far Side of the World, and The Reverse of the Medal are another. The Letter of Marque and the ensuing 4 books, centered around a circumnavigation, are another.
Though the average quality of the books is remarkably high, some are better than others. I suspect that different readers will have different favorites. I personally prefer some of the books with greater psychological elements. The first book, Master and Commander, is one of my favorites. The last 2 or 3, while good, are not as strong as earlier books. I suspect O'Brian's stream of invention was beginning to diminish. All can be read profitably as stand alone works though there is definitely something to be gained by reading in consecutive order.

A Highlight of the Series -- So Far...
This is the ninth book in the Aubrey/Maturin series and it stands as one of the best, in my opinion, and nearly a rival for "Desolation Island." With all due respect to most of the other reviews here, this book had me riveted and quite moved by the end. Maybe it has something to do with the main setting: Malta, Eqypt and the Red Sea. Some people may be bored by it. I felt the story played across the desert landscape quite beautifully. This is a gripping read, full of political and personal intrigue, great atmosphere, science (Stephen and that damned diving bell) and pitch-perfect characterizations, especially of the two principal protagonists. While Maturin is usually treated more three-dimensionally in the books, it is rare to see Aubrey as fully. Here you have him whole, and powerfully heroic.

Excellent: Like 19th Century Le Carre Novel
A good change of pace for O'Brian. His characters get involved in the intrigues on land and an interesting side trip by sea and land. Some readers often accuse these books of dragging, when the characters hit the beach, while accelerating in action and interest once they go to sea again. This book breaks that pattern very well. Highly recommended to solid Aubry/Maturin fans, and to readers of Le Carre novels, too. Deep, dark stuff.