Product Description

Featuring a new introduction by Joyce Carol Oates, the author's two best-known stories tell of encounters with moral depravity in the wilds of the Congo and second selves on a voyage into the Gulf of Siam. Reprint."

Product Details

• Amazon Sales Rank: #352311 in Books
• Published on: 1997-09-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 176 pages

Review
Novella by Joseph Conrad, first published in 1902 with the story "Youth" and thereafter published separately. The story reflects the physical and psychological shock Conrad himself experienced in 1890, when he worked briefly in the Belgian Congo. The narrator, Marlow, describes a journey he took on an African river. Assigned by an ivory company to take command of a cargo boat stranded in the interior, Marlow makes his way through the treacherous forest, witnessing the brutalization of the natives by white traders and hearing tantalizing stories of a Mr. Kurtz, the company's most successful representative. He reaches Kurtz's compound in a remote outpost only to see a row of human heads mounted on poles. In this alien context, unbound by the strictures of his own culture, Kurtz has exchanged his soul for a bloody sovereignty, but a mortal illness is bringing his reign of terror to a close. As Marlow transports him downriver, Kurtz delivers an arrogant and empty explanation of his deeds as a visionary quest. To the narrator Kurtz's dying words, "The horror! The horror!" represent despair at the encounter with human depravity--the heart of darkness. -- The Merriam-Webster Encyclopedia of Literature

From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.

From the Author
For generations an exclusively white community of literary critics treated a variety of thematic and stylistic issues (often with great subtlety and insight) while ignoring "Heart of Darkness" as a commentary on imperialism and racism. My edition does both.

Customer Reviews

The title has become a cliche; the book is as fresh as ever
No-one seriously interested in English literature can afford not to read this book. As a central device, the parallel journey into the heart of Africa and the dark centre of the human experience, remains as powerful as ever. The writing in the opening pages, depicting the men and the Thames and the wide possibilities that rise with every outgoing tide, remain as evocative as anything in English. Conrad's subject is barbarity, a theme as relevant now as then. His dark view of the colonial instinct also stands as a warning at this very hour. With "Lord Jim" a thicker, but in many ways easier book to read, Conrad poses the great existential question that was to dominate personal politics throughout the 20th Century, the taking of personal responsibility, the search for personal redemption - as one character puts it: "How to be - Ach! How to be?" With "Heart of Darkness" he articulates what Michael Ignatieff has described as "the seductiveness of moral disgust." Faced with the darkness around him, the character Kurtz advises "exterminate the brutes." His final, dread epiphany, his message from the heart of his own darkness "The Horror! The Horror!" is as chilling now as it was a century ago - a century that has seen more horror than even Conrad could have imagined.

How To Make a 75 Page Story Into a 400 Page Book
I would like to address myself specifically to the Norton Critical Edition of this book. The difficulty that many readers face when they pick up a classic, pre-twentieth century novel is that they are not conversant with the history of the times in which it was written. Heart of Darkness can be enjoyed purely as a well written novella, but then you miss so much of what Conrad is trying to say not only regarding the thin veneer of man's social persona (ala Lord of the Flies) but about the evils of 19th century imperialism. What is the story of Colonialism? Do Conrad's derogatory remarks about Blacks make him a bigot? What were Conrad's overall views on life? What were Conrad's personal experiences in the Congo? What did readers think of Heart of Darkness when it was written, and what do the critics think of it today?

The Norton Critical Edition gives you 325 extra pages of material written by Conrad and others that provide answers to the above questions. You don't have to read all of these many articles, of course, but a good sampling of them will make your immersion in this famous story all the more enjoyable and meaningful.

This is a story that everyone should read, and the Norton Critical Edition provides the best format for the reading experience.

Into the dark
Several people I am acquainted with have questioned my reading of "Heart of Darkness," using as argument the fact that they read it "in high school." Apparently, for these very well-read souls, if the book was in their high school reading list, then it should never be approached again. Well, both the poem of "El Cid" and the novel "Don Quijote" first revealed their wonders to me when I was in high school, and now that I have read them again (and "Don Quijote" complete this time), they have just proved to be timeless classics with something to tell a person of any age. "Heart of Darkness," by Joseph Conrad, is a classic that, given its length, invites several readings, particularly if one goes beyond the "high school-depth" sadly evident in those acquaintances of mine. The different, dark, alien world of the Congo as barely seen through Marlow's eyes, juxtaposed with the author's subtle-but-powerful condemnation of a system that promotes exploitation of those seen as "inferior," is one of this novella's most important, and often missed, commentaries. Marlow is the English sailor who does not, and cannot, understand anything that is not English, from the nameless city across the Channel (Brussels, most probably), to the ghost-like figures that people his employer's offices, to the multi-coloured map that shows how Africa has been carved, to the multi-coloured Russian whose language Marlowe cannot recognize and believes is cypher, to the river itself, to the native inhabitants of the land he is invading. This trip up the Congo river that Marlow tells his shipmates about while on the Thames is a journey after a man's voice, his treasure of ivory, and his report on the natives. This man, Kurtz, is the one who will state "kill the brutes!" in his report, expressing the opinion of so many Europeans regarding most, and maybe all, non-European races.

"Heart of Darkness" can be read simply as an adventure, but there are several, better, adventure books that have better "hooks" and are, at the same time, more easily forgotten. This is an extraordinary short book by an extraordinary author. Do not deprive yourself of a magnificent, early 20th century masterpiece of literature, just because someone was not hooked by it, or because someone read it in high school and it just wouldn't do to read it again. The power of this book is not in its "easy" prose, because its prose is definitely not easy. It is not in an artificially complex prose, either. This second fault seems more the refuge of other writers, plenty of them modern ones, who have confused "good" with obscure, and "better" with unreadable. Conrad knows how to tell a story, and there is a method to this dark tale told by Marlow, a man much closer to Kurtz than he would like to admit. Since the reader is presented only with Marlow's account, the jump from the reader to Marlow to Kurtz and back to the reader is a troubling one. Here is Conrad's mastery. Read the book. If you have read it, try it again. It may surprise you what new revelations prowl its pages.

This 3rd Norton Critical edition is the best I have seen so far. The essays are all good, but Chinua Achebe's deserves special attention: the Nigerian author advocates not reading "Heart of Darkness" at all, a statement that, coming from a writer, is not just surprising, but deeply disturbing. I sincerely believe that this form of intentional ignorance, of voluntary censorship on the part of the reader, only serves to foment a generalized, public ignorance of the world around us.